Friday, December 30, 2011

Retired people want their entertainment

Refer to it as the geezer booster.Show business might be enthusiastic about the youth market, but older patrons might be more prepared to invest in its wares, according to a different survey of retired people and pre-retired people commissioned by insurance and financial-services firm the Hartford.According to almost 2,000 telephone interviews of grown ups 45 and older, laptop computer determined that only 9% of pre-retired people and 7% of publish-retired people would forgo entertainment (understood to be including movies, concerts and theater) when they needed to quit one factor to pay the bills in retirement.For individuals already in retirement, which was the cheapest percentage obtained by any category. For pre-retired people, quitting movies, concerts and theater tied with getting rid of eating out or entertainment (for example golfing or tennis) because the last category to become voluntarily abandoned.Publish-retired people stated they'd be probably to stop holidays and travel (19%) and shopping to purchase nice things on their own (17%). Pre-retired people are most prepared to move to some more modest home (21%) and trade lower to some less costly vehicle (18%). Contact the range newsroom at news@variety.com

Thursday, December 22, 2011

2011 Oscar Bait: The Most Obvious Academy Award Suitors

Ah, mid-December -- a great time to catch quality flicks. As any movie buff knows, December is the prime time for studios to roll out their juiciest Oscar bait, so it's fresh in the minds of Academy voters in the new year. You're apt to find a lot of movies -- sorry, "films" -- that integrate plenty of classic Oscar bait like "true events," mental illness, period settings and quirky counter-cultural sentiments. This year, almost all of the classic Oscar bait categories are covered. We have plenty of "real" characters, from J. Edgar Hoover to Margaret Thatcher to Marilyn Monroe. We have a 9-11 flick, 'Extremely Loud and Incredibly Close,' inspired by true events and starring two Oscar darlings: Tom Hanks and Sandra Bullock. Article Continues After Slideshow... Transparent Oscar Bait: 2011 Edition Meryl Streep in 'The Iron Lady'Keira Knightley in 'A Dangerous Method'Michelle Williams in 'My Week With Marilyn'Glenn Close in 'Albert Nobbs''The Artist''Young Adult''Anonymous''Carnage''Extremely Loud and Incredibly Close'Leonardo DiCaprio in 'J. Edgar'Brad Pitt in 'Moneyball'Michael Fassbender in 'Shame'George Clooney in 'The Descendants' See All Moviefone Galleries » We also have a couple of quirky gems like 'Young Adult' and 'The Artist.' The former is the latest flick from Canadian director Jason Reitman, who at the tender age of 34 already has plenty of Academy accolades under his belt ('Juno,' 'Up in the Air'). 'The Artist,' on the other hand, is a silent film. You can't get more Academy-friendly than a silent film. It's a bold move to release such a thing, plus it's actually good. Such a feat likely won't go unrecognized. Another good way to get the Academy's attention is by adapting an award-winning play ('Driving Miss Daisy,' anyone?). So 'Carnage,' based on the play 'God of Carnage,' already has that going for it. The fact that it's stacked with Oscar vets Jodie Foster, Kate Winslet, John C. Reilly and Christoph Waltz certainly won't hurt its Oscar appeal. 'Albert Nobbs' is also based on a classic play, and it stars Oscar-winner Glenn Close. It also has two other very important factors to its credit: it's a period piece, and Close portrays a woman living as a man. It really ticks all of the boxes, doesn't it? Of course, one of the safest ways to land on the Academy's radar is to play someone battling an addiction or mental illness. Michael Fassbender nails his role as a sex addict in 'Shame.' Plus he does full-frontal nudity, which signifies a "brave" performance in the Academy's eyes. Keira Knightley received mixed reviews for her portrayal as the mentally ill Sabina Spielrein to Fassbender's Carl Jung in 'A Dangerous Method.' Whether people loved or hated her performance, though, the important thing is that people were talking about it. Follow Moviefone on Twitter Like Moviefone on Facebook [Photos: Alliance Films/E1 Entertainment] #fivemin-widget-blogsmith-image-64409{display:none;}.cke_show_borders #fivemin-widget-blogsmith-image-64409, #postcontentcontainer #fivemin-widget-blogsmith-image-64409{width:570px;height:411px;display:block;}

Tuesday, December 20, 2011

New 'Hobbit' Photo: Martin Freeman's Greatest Adventure Lies Ahead

It's been so, so long since we last saw Middle Earth, almost a decade ago if you can believe it. The world returns in 2012's "The Hobbit: An Unexpected Journey," another Tolkien adaptation courtesy of Peter Jackson and a sure bet to make all kinds of money. Besides casting news and the general plot details, we haven't seen too much from the film. All of that changes tonight when the first trailer drops promptly at 7 P.M. PST. For now, you can get a tease by looking at this production still of Bilbo Baggins alongside his dwarf companions. Martin Freeman's Bilbo looks quite dapper in his rumbled clothing and knapsack, while the dwarves look like dwarves. It's not very surprising, though, that Jackson's team still remembers how to make Middle Earth's denizens look like themselves -- they've probably only gotten better in the layoff since "Lord of the Rings: Return of the King." As "The Hobbit" will be broken into two films, there will certainly be a lot to see as Bilbo and his merry band venture across Middle-Earth in search of the treacherous Smaug. If you like any sort of fantasy, you're probably just as pumped as we are. If you haven't caught up with "Hobbit" news, brush up on the rumored plot details, as well as our hopes for what tonight's trailer will reveal. Otherwise, look here and across the Internet at 7 P.M. PST sharp to start getting excited for next year's holiday season. Tell us what you think of the latest "Hobbit" photo in the comments section and on Twitter!

Tuesday, December 13, 2011

Beyonce Loses $355,000 On Sale of Swanky Miami Beach Pad

Hire Chelsea Clinton as on-air talent, and watch the pundits pounce.our editor recommendsChelsea Clinton Makes Debut as NBC News Correspondent (Video)NBC News President Defends Hiring Chelsea Clinton The First Daughter-turned-journalist, 31, made her first cameo Monday night on Rock Center With Brian Williams, presenting a 'Making a Difference" segment about Annette Dove, who runs an after-school program for impoverished children in Arkansas. In a tepid yet diplomatic review, NY Times TV critic Alessandra Stanley observed: "Ms. Clinton is a little self-conscious on camera and doesn't have the kind of richly modulated anchor voice most television reporters acquire, but that actually gave her piece a more natural feel -- like a video blog on Current TV." PHOTOS: 10 Entertainers Democrats and Republicans Love to Hate "She did just fine," said Vulture's Noreen Malone. "No flubs, no ill-advised tangents -- though when Clinton addressed Dove with 'Yes, ma'am,' it wasn't the most natural-seeming thing in the world, despite her Southern roots." Meanwhile, other pundits were more brutal. Take, for example, this review by the Washington Post's Hank Stuever: "It's no surprise whatsoever that Chelsea Clinton didn't electrify broadcast journalism with her debut Monday night on NBC's Rock Center With Brian Williams, because she has no experience in broadcast journalism. ... Rather, what was surprising to see on Monday night's show is how someone can be on TV in such a prominent way and, in her big moment, display so very little charisma - none at all. Either we're spoiled by TV's unlimited population of giant personalities or this woman is one of the most boring people of her era." In the opinion of Newsday's Verne Gay, Clinton "seems like a very nice young woman" who's "obviously bright." But "there was nothing else that necessarily dismissed charges (mostly by TV critics, although they were not alone) that she got this job because of that name," Gay wrote. "Her voice -- the first time most of us have even heard it -- was pleasing and plummy, but monochromatic; in the obligatory crosstalk with Williams following her report on Arkansas social worker Annette Dove, she exhibited the spontaneity of any TV rookie." STORY: Media Analyst Slams NBC News for Hiring 'Impostor' Chelsea Clinton Clinton, who gives off an air of professionalism and poise, might have to loosen up a bit in order to win over critics. "Chelsea doesn't 'pop' off the screen, to use an industry term -- her demeanor is reserved, she doesn't project her voice like a broadcaster. Not that most viewers probably care," said Howard Kurtz of The Daily Beast. "Her best moments were in the subsquent conversation with Williams. Though slightly nervous, she seemed sincere, and her careful cadence, empathetic gaze, and beaming smile were instantly reminiscent of Hillary." PHOTO GALLERY: View Gallery The Most Talked-About TV News Faces Related Topics Brian Williams NBC Politics Rock Center Chelsea Clinton

Wednesday, December 7, 2011

Tom Cruise Talks Filming Mission: Impossibles Death-Defying Stunts

First Published: December 7, 2011 12:13 PM EST Credit: Access Hollywood Caption Tom Cruise chats with Access Hollywood at the Mission: Impossible - Ghost Protocol junket in Dubai, United Arab Emirates on December 7, 2011DUBAI, United Arab Emirates -- For Tom Cruises latest movie, Mission: Impossible - Ghost Protocol, the actor performed a series of harrowing stunts on the Burj Khalifa in Dubai the worlds tallest building and said he had one mission to accomplish! Not falling! Tom said with a laugh during an interview with Access Hollywood guest correspondent Tim Vincent in Dubai on Wednesday. I want to entertain an audience, and I think people see and feel the difference, he said when asked why he and director Brad Bird didnt opt for special effects or green screen moviemaking tricks on the action movie. But does wife Katie Holmes worry about her husband hanging on the side of the worlds tallest building? No, she knows that I train and prepare. I couldnt do it without her, without my familys support, Tom told Tim. Shes very supportive. While on top of the Burj Khalifa, which towers at 2,723 feet in the air, Tom left Katie and his family a message. I crawled over the side and signed some messages to Katie and the kids, you gotta sign it! Youre there, the actor explained. I wrote their names and that I love them. According to 49-year-old star, Katie is responsible for his newfound fancy footwork, which audiences first saw him show off as Les Grossman in Tropic Thunder and also in the upcoming movie musical Rock of Ages. Kate is a dancer and she kind of inspired Les Grossman and the dancing in that. Shes kind of said, Come on I want you to come to this dance class. And shes gotten the whole family in those classes, he told Tim. Shes the best dancer and Suri, of course. With me, Ive got to work at it. Tom and Katie celebrated five years of marriage last month and the actor took some time out while shooting his current project, One Shot, to celebrate their special day. We had a great time, he said of their anniversary. I was shooting in Pittsburgh and it was very special. I made it very, very special. And with audiences buzzing about the latest Mission: Impossible is there the possibility of a fifth movie? I just want to get through this one, Tom said. And then well all sit down and talk about it. I love this franchise. Its so fun to work on. Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Tuesday, December 6, 2011

CBS int'l biz growing despite crisis

CBS Corp. Boss Leslie Moonves stated Tuesday that turmoil in worldwide market has not designed a dent within the company's muscular $1 billion worldwide sales -- a well known fact which surprises even him. "It is interesting because I clearly speak (regularly) using the guy who runs our worldwide sales group but for the this past year, without a doubt, I keep expecting him to return and say, you realize, 'In america we've got wiped out through the economy.' I've not heard that when. The amounts go up every year in just about every territory," Moonves told traders in the UBS Global Media and Communications summit in Gotham. "Not too we create a fortune in A holiday in greece, but we have increased in A holiday in greece, and The country, and Italia," three from the Europe's toughest hit gamers within the tormented Euro-zone. It's proven simpler and perhaps cheaper for foreign companies to carry on purchasing U.S. shows even just in occasions of recession than attempt to recreate them. Most CBS dramas get north or $two million a chapter, he stated. "All will work for American product overseas." Meanwhile, CBS yet others still spend for sports privileges. Reviews now stated the Nfl is near to inking extra time of three deals, with CBS, Comcast and Fox, for annual average privileges obligations with a minimum of $1 billion -- a 60% increase within the previous contract. "The cost of poker is rising," Moonves stated. However it should, he added. "A bad football game out-rates most programming." Requested about among CBS' more recent partners, Netflix, Moonves stated it "has certainly become really a buddy than the usual foe." Content deals are inserting fresh cash in to the CW Network in the present 4th quarter and can transform it lucrative the coming year. Media chieftains still assess Netflix's influence and it is effect on their overall business, especially because the video streaming company, that has been dogged by a number of recent proper problems, launches into original programming. "We're rooting on their behalf,Inch Moonves stated. "Hopefully they continue being strong, to achieve customers." Netflix Boss Reed Hastings is going to be showing in the massive conference afterwards Tuesday. CBS' handles Netflix along with other streaming services are non-exclusive, a method which Moonves is constantly on the defend. CBS is the owner of 70% of their shows, he stated and "individuals would be the family jewels. We're protective of this content. Then when someone states 'there's this chance to get this done deal, it will likely be worth $30 or $40 million,' I only say 'At what risk?'" With vast amounts of dollars between advertising and distribution to safeguard, "You are going to need to create a very compelling proposal." Contact the range newsroom at news@variety.com

Saturday, December 3, 2011

Aeroplano, Buena Onda form alliance

Buenos Aires-- Sebastian Aloi's Aeroplano, that's resides in L.A. and Buenos Aires, has produced a production alliance with Italy's Buena Onda Intl. First films up are Argentine Lautaro Nunez p Arco's "Corazon p perro," and Italian Beniamino Catena's "Io Sono Vera."Both game game titles play off two phenomena: a business appetite for arthouse genre films Argentina's attractive combination of low production costs, specially when compared to neighbor South usa, yet high-quality specialists. "Perro" can be a '50s-set Argentine love story from the girl elevated just like a boy by her lumberjack father together with a youngster who had been elevated inside the forest getting your dog pack. "Vera" triggers a lady who vanishes when she's seven in to a parallel world only to return years later. Catena directed Canale 5's mega-hit series "Squadra Antimafia."Both photos shoot in Argentina next season, "Vera" first, "Perro" August/September."The conventional of specialists and production values for the investment you spend in Argentina is excellent,In . mentioned Buena Onda Intl. partner Jesse Ranvaud.Ranvaud features a distinguished Latin American c.v., professional creating Walter Salles' "Central Station" and Fernando Meirelles' "Capital of scotland - God" and "The Ceaseless Novel reader.InchAloi also provides a knack of supporting new company company directors. Most recently, Aloi produced Nicolas Goldbart's groundbreaking Argentine sci-fi black comedy, "Fase 7" bought for your U.S. by Bloody Disgusting Selects as well as the Collective. "I'm considering creating genre films from La but furthermore finding new talent in Argentina," Aloi mentioned. Contact the number newsroom at news@variety.com

'Caucus' the musical tunes into 2012 satire

The 2008 output of 'Caucus!' tweaked that election cycle. GOP Prexy hopefuls Ron Perry, left, and Ron Paul have due to the 'Caucus!' authors some wealthy material for your new show.The 2012 presidential race needs to date carried out by helping cover their the theatrics from the reality show, but an Iowa playwright and composer sees the celebs aligned for just about any musical.Previews will start 12 ,. 8 at Des Moines' Stoner Theater for "Caucus! The Musical," Robert John Ford's followup with a similar titled staging he presented in the last presidential cycle. This time around around around, the musical gets the tagline "2012: The GOP Strikes Back," but thinking about the truth that the satire seems be writing itself inside the GOP race this year, it begs the question about what will probably be left for your stage.Really, the media spotlight on candidate gaffes, mind freezes and historic revision is certainly an problem for "Caucus!" Ford states he as well as the director, Ron Ziegler, were built with a contract not to add any longer material for the show after summer's finish, but since the election season carried out out, it increased being irresistable. The other day, they handled to use in the lick on Texas Gov. Ron Perry's failure title all of the three gov departments he'd cut if selected leader. This time around around they can only title two branches of government, negelecting the executive.The musical concentrates on an Iowa player and also the family as "typical caucusgoers" as well as the amazing efforts by campaigns to win their votes. The figures, all carried out having a team of local artists, are imaginary, nevertheless the candidates resemble people in 2012. Ford also seems to experience a knack for prescience. In 2007, the musical had reference to the gay close ties in Iowa an ailment Top Court decision legalized them this past year. Sarah Palin had yet to even meet John McCain when the show was staged in the last cycle, nevertheless the story that year incorporated the visit with a mystery Alaskan governor who interferes with the race. The irony, Ford notes, is all the campaigns, the staffers who've been the most common audience people for "Caucus" came from in the McCain campaign.The musical will explain 12 ,. 31, only a few days shy in the actual caucus date of Jan. 3.Ford stresses the satire is equal chance, although naturally it'll concentrate on the Republicans by getting an uncontested race however in the aisle. Contact Ted Manley at ted.manley@variety.com

Friday, December 2, 2011

Miramax Owner Colony Eyes Deal With Summit Entertainment

NY - In the latest hit to Blackberry maker Research In Motion, the company said Friday that it would take a $485 million charge in its fiscal third quarter after marking down the value of its inventory of its PlayBook tablets.our editor recommendsBlackberry Service Glitches Hit North AmericaApple iPhone 4S Sells Out in U.S. Pre-Orders The technology company, hit by competition from Apple and Google devices that have overtaken it in U.S. market share, also cut its revenue and earnings expectations amid disappointing sales of the tablets, which have led it to cut its price. The stock dropped sharply in early Friday trading. As of 10:05am ET, it was down 8.8 percent to $16.95. Late last month, the stock had hit a 52-week low of $15.98. "The company now believes that an increase in promotional activity is required to drive sell-through to end customers," RIM said about the PlayBook tablets, which have been met with weak reviews and buzz. "This is due to several factors, including recent shifts in the competitive dynamics of the tablet market and a delay in the release of the PlayBook OS 2.0 software." The Blackberry maker said it wants to "expand upon the aggressive level of promotional activity recently employed by the company in order to drive PlayBook adoption around the world." Co-CEO Mike Lazaridis said in a statement: "RIM is committed to the BlackBerry PlayBook and believes the tablet market is still in its infancy. Although a number of factors have led to the need for an inventory provision in the third quarter, we believe the PlayBook, which will be further enhanced with the upcoming PlayBook OS 2.0 software, is a compelling tablet for consumers that also offers unique security and manageability features for the enterprise." Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Topics Google Apple

Thursday, December 1, 2011

REVIEW: Fassbender, Focused Yet Unselfconscious, Makes Shame Compelling

Steve McQueen’s Shame might well be mistitled: It’s the story from the guy which has sex more he probably wants it, though still less often while he needs it, the pretty fine distinction to produce. As well as the word “shame” alone is just too loaded, too naturally judgmental. The idea isn’t this character — his title is Brandon which he’s carried out, fantastically, by Michael Fassbender — does anything he must be embarrassed about. It’s this is the shame he feels is nearly intolerable. Shame may have gone improperly while using wrong actor. Fortunately, McQueen has the most appropriate one in Fassbender, which definitely makes the difference. Shame is formal to the level of austerity: It opens getting a virtually still overhead shot that’s naturally painterly, a tableau from the male nude — that could be Fassbender — semi-hidden by drifts of artfully rumpled blue sheets. McQueen, clearly, can be a fine artist themselves — that’s how he gained his title before he increased being well-known to like a filmmaker, while using 2008 Hunger, also starring Fassbender. And you'll find ways Shame is just too deliberate, too naked within the specificity. That may consider why numerous its detractors ponder over it moralistic — again, the film’s title isn’t helping it any. I did so groan when Brandon is proven getting desperate, uncomfortable outdoors sex, after which when, using what is allegedly the very best debasement, he allows a man to complete fellatio on him inside the dim back room from the gay bar. (Right after that, he must re-establish his “manliness” by having sex with two women simultaneously.) However think Shame is ultimately a movie about emotional suffering, and not in what we consider as sex addiction (detail factor is really available, which i’m unconvinced). Fassbender’s Brandon can be a effective and rather uptight NY professional — you'll be able to tell incidentally his apartment is furnished getting a turntable and several LPs, a bed mattress, a laptop for online porn, and hardly anything else — who is suffering from sexually compulsive behavior. Calling him a sex addict is just too convenient what Brandon suffers is a lot more peculiar plus much more painful. He meets women in bars, and also, since he’s so charming and good-searching, they wouldn’t imagine battling his advances he initiates potential encounters with luscious others he sees round the subway in the office, he leaves his desk for your males’s room, where he relieves his urges with joyless efficiency then when no above really are a choice, he's assignations with hookers. Brandon’s passive-aggressive boss, David (James Badge Dale), may also be something from the buddy together with a hanger-on — the two troll city bars together, searching to obtain women, even though prattling David strikes out more he scores, while Brandon barely must arch an eyebrow. Whilst David tries to glom onto Brandon’s undercover attractiveness, more youthful crowd finds not-so-subtle techniques to join up his disgust along with his friend’s beyond-healthy libido: At the beginning of the film, Brandon finds that his computer remains removed temporarily through the organization’s tech department. They are fully aware — which we all know — why. Each time a blond pixie from the lady appears in Brandon’s apartment, you assume it’s among his former conquests. It calculates being his sister, Sissy (Carey Mulligan), a sometime jazz singer who’s showed up in NY for just about any handful of gigs, and for reasons unknown, Brandon is none too pleased doing. Sissy is charming, fragile, off-the-charts desperate: Not extended after she lands in Brandon’s apartment, we hear her over the following room pleading by getting an unseen someone around the telephone. “I accept you, I like you,” she repeats as if it were a compelling mantra, when really it’s anxiously repellant. A lot more substantially, we view how breakable she's when she works “NY, NY” in the club one evening — it’s mournful and expectant rather than jubilant, as not even close to Frank Sinatra’s version as Occasions Square originates from the moon. The song plus it singer affect Brandon with techniques that individuals can’t immediately comprehend, even though it clearly opens a gate to the persistent, repetitive discomfort he’s feeling. The bare story of Shame, if you lay it, doesn’t look like much. Nevertheless the stars bring everything in it their suffering is both magnetic or painful to check out, as whether or not this were an alternate — or possibly an aberration — of fundamental sexual attraction. Mulligan, along with her bleached-blond crop of hair, resembles one of the awesome-customer chanteuses in the 󈧶s, like Helen Merrill though a cherub’s face — you will discover shades in the youthful Stockard Channing in their, too. Mulligan is terrific here, and restrained with techniques that signifies an actorly generosity unusual for an individual so youthful: Her moments with Fassbender don’t a great deal say “Look at me” as “Look at him.” Although clearly, it may be impossible not to. Fassbender is insanely handsome inside the conventional sense, in this role, there’s another factor guarded and reticent about his expressions. He resembles the youthful Christopher Plummer — his smile is gaunt together with just a little forced, as being a dying’s-mind grin. When Hunger first demonstrated at Cannes in 2008, Fassbender — playing Irish hunger-strike activist Bobby Sands — will be a thought. Now he’s ubiquitous, potentially to the level of overexposure, turning up in from comic-book blockbusters (X-Males: Top Quality) to tony literary adaptations (Jane Eyre) to David Cronenberg movies in regards to the personal and professional tussles of Freud and Jung. Yet each performance, and each project, is actually totally different from the ultimate it’s still a pleasure to check out him. He's one of the gifts exceptional stars need: an opportunity to be focused and unselfconscious concurrently. They are fully aware when you surrender then when to call every muscle and brain cell to attention. Even though Shame is about sex, there’s only one scene that qualifies as truly sexy, plus it’s so erotic, so frank without needing to be explicit, that it's culmination is devastating. (Brandon’s partner in this particular scene can be a co-worker named Marianne, and he or she’s carried out marvelously by Nicole Beharie.) I hesitate to stop some thing, however question who'll find this scene more upsetting, males or women? My heart sank once i saw where it absolutely was going, and that i thought it had been just me, but initially initially when i first saw this picture, within the Venice Film Festival this year's fall, the woman alongside me also gasped. Fassbender and Beharie play in the moment with amazing, or painful, sophistication: She watches while he essentially vanishes into another country, an area where she'll’t follow. Shame is, like Hunger, fantastically made, along with, it’s of a guy at war along with his own body. And again Fassbender — here playing a personality whose ease of tenderness is vulnerable to being removed by his self-hate — shows us something totally new hard, whose fundamental features have at this time become pretty familiar. He’s the kind of actor who leaves you thinking about everything you’ve just seen and wondering what he’ll do next. His face might be the the complete opposite of overexposed: It’s an unwritten future. [Editor’s note: Portions of the review came out earlier, in the different form, in Stephanie Zacharek’s Venice Film Festival coverage.] Follow Stephanie Zacharek on Twitter. Follow Movieline on Twitter.

Wednesday, November 30, 2011

David Milch reups with Cinemax

David Milch is remaining put at Cinemax, cutting a completely new multiyear pact while using pay cabler with a unique agreement while using estate of William Faulkner. Deal gives Milch's Redboard Prods. rights to develop projects good legendary author's canon of 19 books together with other works. Cinemax has first-look rights on any projects that arise within the deal. Milch's latest Cinemax skein, horseracing drama "Luck," bows Jan. 29, even though internet will sneak the pilot on 12 ,. 11 rigtht after the summer season finale of "Boardwalk Empire." Dustin Hoffman, Nick Nolte and John Ortiz star inside the ensemble skein about entrepreneurs, trainers and gamblers who inhabit the racetrack. Milch has extended been an passionate horseracing fan, getting possessed several thoroughbreds, plus a Breeders' Cup champion. "We are especially thrilled to continue our extended-standing relationship and one of the industry's most gifted contemporary authors," mentioned Cinemax programming leader Michael Lombardo. "Everyone knows that whatever David provides the Cinemax table will probably be exciting and innovative." Beneath the deal with the William Faulkner Literary Estate, Milch will partner with Lee Caplin, executor in the estate and Boss of Picture Entertainment Corp., to choose which actively works to develop, package and convey (all of the author's 19 books and 125 short tales are available beneath the agreement aside from people presently contracted for together with more events). Milch and Caplin will become professional producers of people projects, with Milch becoming executive author accountable for adapting the entire shebang. Deal gives Cinemax a distinctive first chance to purchase, produce and distribute the projects as movies, minis and series. Olivia Milch, David's daughter, assists as matching producer round the projects. "I'm delighted to develop my extended-standing relationship with Cinemax to encompass the variation of most likely the most crucial literary operates by any American author into television films and series," Milch mentioned. "After we attempt this ambitious project, our first commitment is always to serve the material, which we anticipate identifying and dealing together while using best screenwriters and filmmakers to help all the pieces find its ideal form onscreen." The Mississippi-born Faulkner won a Nobel Prize for Literature in 1949 and a pair of Pulitzer Honours. Furthermore to penning his famous books, he written six films, five that have been directed by Howard Hawks. The pay cabler and Milch have teamed on two previous series: the Western "Deadwood" and surf noir skein "John From Cincinnati." He's presently developing the feature film "Heavy Rain" for Warner Bros. Contact Stuart Levine at stuart.levine@variety.com

Tuesday, November 29, 2011

Harrison Ford, The month of the month of january Manley as well as the Least Influential People Alive

Hollywood is unpredictable. Eventually, you're a celebrity the next, you're -- well, still a celebrity, not a respected one. Take Harrison Ford. He was Han Solo and Indiana Manley! But, Ford's 'Star Wars' and Indiana days are far behind him -- which explains why he's No. 23 on GQ's report on the 25 Least Influential People Alive. The primary reason? "This is a guy which has spent years prone to great measures to inform you just what an inconvenience it's for Harrison Ford to remain in the film you're watching. 'Cowboys & Aliens' is a bad movie regardless, but Ford made matters worse by sleepwalking through his moments and coping with the publicity for your movie like someone was asking him to create a Malaysian prison." Fortunately for Harrison, he isn't really the only actor to produce this unfortunate countdown. Coming at No. 20 is 'Transformers: Dark in the Moon Star' and Victoria's Secret model Rosie Huntington-Whiteley. No matter the exorbitant sum of money the film made, Rosie's work for balance Hollywood glory remains reduced to "that girl who subbed for Megan Fox inside the 'Transformers' franchise." Rough. Gwyneth Paltrow is not any. 16. According to GQ, "Paltrow spent nearly all 2011 undertaking on honours shows, pushing shit on Goop that nobody except Gwyneth Paltrow would buy, and delivering her awful cookbook upon the earth... Can it be any question many of us loved watching her die in 'Contagion'?" Finally may be the month of the month of january Manley, really the only celebrity to compromise the most effective 10. Although she's most broadly known on her behalf role since the icy Betty Draper on 'Mad Males,' her portrayal of Emma Frost in 'X-Males: First Class' had experts and audiences cringing every time she was on-screen. The whole list could be acquired over on GQ.com, which is absolutely worth the read, unless of course obviously you're interested in anybody about it. [via GQ.com] [Photo: Getty] Follow Moviefone on Twitter Like Moviefone on Facebook

Epix taps film alum as marketing chief

Iwanowski Epix has hired FilmDistrict alum Kirk Iwanowski as chief marketing officer.He's designated with controlling web marketing strategy for your pay TV funnel which is VOD services.Iwanowski was most recently senior veep of promoting at Graham King's FilmDistrict, where he was responsible for theatrical advertising of wide releases including "Soul Surfer" and "Drive." Before that, he labored for Sundance Funnel as professional veep of promoting, high quality entertainment and sponsorship.Epix might be the 2-year-old partnership of Viacom, MGM and Lionsgate. Contact the number newsroom at news@variety.com

'Hugo' a three dimensional breakthrough because of its team

Neither Martin Scorsese nor the very best people of his creative team tried a three dimensional film before they embarked on "Hugo," however their first effort wound up garnering near-universal praise for how they used the stereo system medium to boost the storytelling. Variety's Inside Production spoken to "Hugo" production designer Dante Ferretti and cinematographer Robert Richardson.Interview with Dante Ferretti Variety:The number of films excuses have you employed with Marty?Dante Ferretti: This is actually the eighth.Variety:And also you had not done 3DFerretti:None people tried three dimensional.Variety:What did you need to do in a different way?Ferretti: With three dimensional I needed to become more careful using the foreground. You need to put more stuff while watching camera. After we began to construct making models, we looked and stated such things as, "Oh, maybe we want some thing within the foreground, yet another column here, a kiosk there." Daily you realize better how you can do three dimensional. Only then do we did some tests and saw we needed to add much more stuff. The detail was extremely important, the time tower, the more compact clocks, the machinery, the gears.Variety: Therefore the job from the set decorator is crucial.Ferretti:Yes. Francesca (Lo Schiavo) did an admirable job. I was encircled by objects within the caf, the kiosk, the toy shop, the Melies studio. Everything was built enjoy it was throughout that period.Variety:Had you been in a position to evaluate the standard from the three dimensional around the set?Ferretti:Yes, whenever we were shooting we're able to see my way through three dimensional. We'd a giant screen and glasses, therefore we often see if something was wrong. Variety:Where have you shoot?Ferretti:We build the whole movie on stages at Shepperton, Pinewood and Longcross (within the London area). We built from scratch - a whole stop, the lobby, platforms, and set a genuine train within it. It had been an enormous job. The film is occur Paris but we shot in Paris only 5 days. We recreated Paris working in london.Selection: How lengthy have you focus on "Hugo"?Ferretti:I began in November, 2009 and handle in The month of january, 2011.Variety: What exactly are you focusing on now?Ferretti:I am doing "The Seventh Boy" with ("Mongol" director) Sergey Bodrov, with Shaun Bridges and Julianne Moore. Next I'll work again with Marty on "Silence."Interview with Robert RichardsonVariety:"Hugo" was the first three dimensional film. . . Robert Richardson: Yes. I had been excited as well as put off. Not just maybe it was my first three dimensional film, it had been my first feature-length digital capture. As much as that time I'd only used digital for advertisements. We used the (Arri) Alexa camera on "Hugo." We'd two Alexas on the Pace rig.Variety:Have you consider shooting on 2D and transforming to three dimensional?Richardson:It had been talked about mainly from the purpose of look at financial aspects. We understood it had been X amount of cash to attain three dimensional on-set, therefore the question was what time is going to be required to perform the conversion. But Marty always aspired to shoot with three dimensional, as well as for the two of us it did not seem sensible to shoot it every other way. Variety: That which was it like shooting digital?Richardson:I embrace digital cinema, I did not attempt to emulate film. My intention was first of all use a digital three dimensional presentation, second, an electronic cinema 2D presentation, and lastly a movie presentation. Variety: Had you been capable of making the choices on-set that you simply required to?Richardson: Yes, we'd three dimensional monitors and glasses, the best of this from the process was having the ability to make choices in line with the intent from the director therefore we might get him what he was searching for, whether or not this would be a increased depth of area, a shorter depth of area, whether or not to embrace the stars, and so forth. The inability to achieve this on-set makes hardly any sense in my experience.Selection: So for you personally, stereo system capture does not compare well against conversion?Richardson: It is a complicated question. Should you request me how Jim Cameron does a conversion, it will likely be excellent and exquisite. His understanding of three dimensional is really fine, and that he has got the some time and the finances to manage it inside a manner to obtain him precisely what he desires. For any filmmaker who does not have his degree of expertise there is no doubt that three dimensional shooting on set is essential. And why can you hands your conversion try to another company? It can make no sense in my experience. Contact Peter Caranicas at peter.caranicas@variety.com

Moody's: TV Station Groups Face Financial Threat from Networks

Lawyers representing the convicted assassin of Robert F. Kennedy hope to prove their client's innocence... 43 years later. In newly filed court documents obtained by the AP, Sirhan Sirhan's legal team allege that a bullet was switched in evidence at his trial, and that Sirhan was hypnotized to fire shots as a diversion from the actual killer. The lawyers, William F. Pepper and Laurie Dusek, also claim that new audio tests from the 1968 assassination prove that there were 13 shots fired from multiple guns -- five more than Sirhan could have fired from his pistol. In the original trial, eight bullets were counted. Three hit Kennedy, and the rest struck five other victims who were able to recover. PHOTOS: 12 of Hollywood's Most Mysterious Deaths The shooting occurred at L.A.'s Ambassador hotel on June 5, 1968, as the Senator was celebrating his victory in the California and South Dakota primary elections for the Democratic nomination of President. Kennedy was fatally wounded as he walked through the hotel's kitchen on his way to the exit. He survived nearly 26 hours after the incident, dying on June 6 at the Good Samaritan hospital, where he had been treated with surgery. With Kennedy that night was friend and actor/writer George Plimpton (Nixon, Good Will Hunting), who helped wrestle Sirhan to the ground and disarm him. Plimpton was aided by Olympic gold medalist, Rafer Johnson and professional football player, Rosey Grier. Rosemary Clooney, a strong Kennedy supporter, was also on hand that evening. PHOTOS: Actors Who've Played Politicians The fateful night was immortalized in the 2006 film Bobby, written and directed by Emilio Estevez. The 62-page federal court brief is the latest in a number of appeals filed on Sirhan's behalf, all of which were previously turned down. The Palestinian immigrant hopes to be deported to Jordan and "quietly live out the rest of his life with family and friends," the filing states. "But at long last he would, at least, have received long delayed justice." During his trial, Sirhan admitted that he had killed the Senator "with 20 years of malice aforethought." He later rescinded his confession. The lawyers have asked that the judge set an evidentiary hearing to reexamine the case, stating that Sirhan lacked adequate assistance of counsel during his trial. PHOTO GALLERY: View Gallery 12 of Hollywood's Most Mysterious Deaths Related Topics Politics

Monday, November 28, 2011

A Journey in My Mother's Footsteps

A Freya Films production. Produced by Dina Rosenmeier. Executive producer, Rosenmeier. Directed by Dina Rosenmeier. Written by Rosenmeier, Nadia Fugazza.With: Dina Rosenmeier, Jesse Rosenmeier, Joern Rosenmeier, Viji and Shibani Iyengar, Mohinder Singh, Achla Khanna, Nergis Udwadia. (English, Danish, Hindi dialogue)Part personal quest, part testimonial and part fund-raiser, "A Journey in My Mother's Footsteps" fulfills disparate agendas for helmer Dina Rosenmeier, a mildly resentful daughter wondering why her humanitarian mother prioritized orphaned Indian children over her own offspring. Stopping off at orphanages, schools and adoption agencies that her mother helped establish throughout India, Rosenmeier soon voices her own hosannas of praise for her mother's tireless efforts as she tours the facilities, cuddling disabled children along the way. "Journey" opens Dec. 2 at Gotham's Quad Cinema, but its transparent pretext and lack of tension make further play unlikely. Jessie Rosenmeier, the laudable Danish humanitarian whose amazing achievements the docu chronicles, is alive and well, charismatic and extremely articulate. An interview in which she explains that a stillborn son drove her decision to help children worldwide resonates strongly. But why the daughter rather than the crusading mother should dominate the film becomes increasingly unclear, particularly since the abandonment issues that supposedly gave rise to the docu are resolved almost immediately. The film's ultimate agenda may be to redefine Dina Rosenmeier's motherless childhood as a heroic sacrifice to a higher cause.Camera (color, HD, Super 8), Dagmar Weaver-Madsen; editor, Fugazza; music, Vivek Maddala. Reviewed on DVD, NY, Nov. 25, 2011. Running time: 77 MIN. Contact the Variety newsroom at news@variety.com

Media Stocks Up On Strong Holiday Sales And Hope Of European Debt Solution

Shoppers spent a record $52.4B over the four-day Thanksgiving weekend, up 16% from last year, the National Retail Federation says. Add that to reports that European leaders are getting serious about resolving their debt crisis, and it’s easy to see why investors are in such a good mood today. The Dow Jones U.S. Media Index is up 2.8% at mid-day, about the same as the Dow Jones Industrial Average. Among Big Media stocks, Time Warner (+4%) leads followed by Sony (+4%), Viacom (+3.7%), Comcast (+3.7%), CBS (+3.4%), News Corp (+3.2%),and Disney (+2%). In the rest of the media universe several companies that have been pummeled in 2011 are taking a breather including Crown Media (+17.7%), Real D (+11.8%), and Netflix (+10.5%). Sinclair Broadcast Group is up 9% after it announced today that it wants to raise its borrowing capacity by $530M, possibly to buy TV stations. Madison Square Garden — which owns the NY Knicks — is up 8.7% after the NBA announced that it will salvage at least part of this year’s basketball season. The short list of companies that are down at midday includes New Frontier Media (-2.8%), Cinedigm (-2.7%) and Westwood One (-1.1%).

Sunday, November 27, 2011

'The Walking Dead' Dissection: Robert Kirkman on Rick, Lori, Shane and Andrea's 'Secrets'

This story first appeared in the Dec. 2 issue of The Hollywood Reporter magazine.our editor recommendsFrom 'The Artist' to 'War Horse,' 23 Awards Contenders That Prominently Feature Animals (Photos)The Making of 'The Artist''The Artist' Star Berenice Bejo to Wear Her 1920s Costumes on Red CarpetsHow Rin Tin Tin Ruined Any Oscar Shot for 'The Artist's' Jack RussellMichel Hazanavicius, the Artist Behind 'The Artist,' On the Great Crowd-Pleaser (Video) Somehow, Michel Hazanavicius managed to come up with something that even the French thought was loopy. For years, the Parisian writer-director -- an analytical guy who sees filmmaking as what he calls "playing with codes" -- had been captivated by an idea. But financiers got cold feet just hearing about it; the boutique television stations that typically fund sophisticated European films walked away. Even in a nation of cineastes and revival houses -- a country in which a major film movement was once launched by a band of movie critics -- his dream looked to be dead on arrival. PHOTOS: The Making of 'The Artist' "I wanted to make one for a long time," the director says about his fascination with doing a black-and-white silent set in the 1920s. His long limbs folded over a table at the Four Seasons Beverly Hills, he talks about his heroes like F.W. Murnau and Fritz Lang. "But it's even difficult to convince myself, or to convince anyone else, it is even possible. I found that some producers -- really all of them -- were a little bit cold." It didn't help that the 44-year-old Hazanavicius was known in France for the box-office-friendly, period-conscious OSS 117 spy parodies, in which a kind of Gallic Bond scampers through the 1950s and '60s. "What I needed was a crazy guy," he says. Enter Thomas Langmann, 40, whom Hazanavicius calls "the craziest producer in France." Langmann, the son of Oscar winner Claude Berri (who directed Manon of the Spring and produced Roman Polanski's Tess), worked a bit with Soderbergh and Coppola as a young man and produced some French smashes in his 30s. Langmann sees producing as a species of gambling. "It was always about betting on directors," he says of the philosophy his father passed down. "I knew if we made a film in black and white and we succeeded, it would be original." It took director and producer awhile to sync up -- early ideas such as a feature with an invisible protagonist didn't make the cut. "I really wanted to make an entertaining movie," Hazanavicius says, noting that many European silents were tragic romances. "I thought it was unfair to ask people to come to a black-and-white silent movie that was also dark -- it would be too much." But finally the two came up with an idea that worked: a film about a '20s matinee idol who struggles with the advent of talkies. PHOTOS: Behind the Scenes of our Directors Roundtable Photo Shoot With Michel Hazanavicius The movie that resulted is being talked about as the first silent film with real best-picture Oscar chances since Wings, the 1927 Clara Bow film that arrived soon before the talkies changed the game (it won). The Artist opened in the U.S. on Nov. 25 -- just two screens each in NY and Los Angeles -- but already has banked an impressive $12 million since its release in France in October. More important, the film took the best actor award at Cannes, where it played to rapturous audiences, and it has gone on to seduce judges at festivals around the world and sweep the season's audience awards from Chicago to the Hamptons to San Sebastien. "It is as wonderful a film as it is modern," says silent-film collector and producer Serge Bromberg, who has seen the movie six times at festivals, "with jaw-dropping cinematography, good acting, wonderful knowledge of classic cinema. And it has the flavor of the old. But it is not a film of the '20s; the pace is not the same, and its constant humor gives it some distance from what a film of the '20s would be." Hazanavicius was already an admirer of the silent era, but as he wrote, he immersed himself deeply for several months, reading actors' biographies, going to screenings of Murnau and Frank Borzage and early John Ford at Paris' Cinematheque, studying photographs and playing music of the '20s and early '30s. STORY: 'The Artist' Star Berenice Bejo to Wear Her 1920s Costumes on Red Carpets He wanted Jean Dujardin -- a bankable French star known mostly for comic roles -- to play the lead, Valentin. "Of course, I said: 'You're crazy. It's impossible,' " says Dujardin. Hazanavicius also asked his girlfriend, Berenice Bejo, the Argentina-born French actress who appeared in A Knight's Tale and in his OSS films, to play a studio extra named Peppy, shot into fame by a chance encounter. "I said, 'No way -- no way,' " recalls Bejo, who has two children with the director. "Not with me." The two eventually were persuaded, and their presence caused a change in the movie itself. The original vision for the film focused on Valentin's isolation. But as Hazanavicius got deeper into the film, Peppy began to seem major, and the movie became a romance. Dujardin had only ever scratched the era's surface. "I knew only the masterpieces of Keaton and Chaplin," he says. "It was a real discovery for me to find King Vidor's The Crowd," a film about a man lost in the big city of the 1920s that the actor calls "very modern, very touching; it helped me to assemble all the different references." PHOTOS: It's a Zoo This Season: 23 Awards Contenders Featuring Animals As a model for his character, he found Douglas Fairbanks -- the actor who started making films in 1915 and whose career faded as talkies ascended. "In all his films," Dujardin says, "he doesn't ask himself any questions," never straining against the limits of the swashbuckling style required by such films as Robin Hood and The Mark of Zorro. "It's pathetic when you know the talkies are coming, but he's also very generous. He's like my character George Valentin: He can be arrogant, but he has integrity. He believes in his art. He fights for it." (Valentin needs that integrity -- as he spirals downward, it's all he has, besides liquor and an attentive, scene-stealing dog to keep him warm.) Bejo's research found inspiration in Gloria Swanson -- who, unlike Fairbanks, excelled after the silent era. She fell for Swanson's autobiography, which describes a life very different from the desiccated former star she played in Sunset Boulevard. "She started in the silent period and then went to the talkies and then to TV," Bejo says. "I got a sense of the atmosphere of the period." To make a film about Hollywood, Langmann reasoned, you had to shoot there. By now he'd drawn some funding from French station Canal+ and invested considerably from his own company, La Petite Reine. But the costs of coming to America -- and surrendering French government subsidies -- raised the stakes substantially. (The film's eventual budget came close to $20 million.) STORY: 'The Artist': The Not-So-Silent Entry Shooting at the Paramount and Warner Bros. lots -- as well as locations like the beautifully lit center court of downtown L.A.'s 1893 Bradbury Building, known to film buffs for its role in Blade Runner -- inspired the crew over the 35-day shoot. (Dujardin was put up in an old house in the Hollywood Hills -- he thinks to amplify his isolation for his slide in the movie's second act.) "Hollywood, in my opinion, is the big star of the movie," says Hazanavicius. Also crucial to re-creating the era onscreen was the work of costume designer Mark Bridges, who worked on all of Paul Thomas Anderson's films, including Boogie Nights and There Will Be Blood. Some of his vision for The Artist came from the MGM documentary 1925 Studio Tour. "You could see what the carpenters, what the plasterers wore," he says. "Even those guys in their bib overalls had a necktie. And a lot of hats, either for warmth or bad hair days." Surprisingly, director of photography Guillaume Schiffman shot the film in color because today's black and white is too sharp, not grainy enough. He used unusual filters to diffuse the whites and mute the blacks slightly -- and as the film went on, with its main character losing some of his sheen, the light got grayer. Although Hazanavicius deliberately had chosen very expressive actors -- Americans John Goodman, James Cromwell and Penelope Ann Miller round out the cast -- they found the limitations were difficult at first. For Bejo, working without lines threw her off. (The actors improvised in English while onscreen, to give their mouths something to do, mixed with a few of the "lines" shown to the audience on intertitles.) But she eventually found a way to inhabit the role. "If it was a talking movie, she would have been the same -- would have moved the same way, winked the same way, danced the same way," she says. "The challenge was to try to focus on the body language, but the rest of it was finding a way of being an American actress. I think of American actors -- they take up a lot of space, they talk really loud, they talk with their hands. So I had to find that, since being a French actor, everything is more petite." STORY: How 'The Artist's' Fashions Are Impacting the Red Carpet To keep communing with the past, the director kept the music of the era -- George Gershwin, Cole Porter -- in constant rotation while they shot, and he brought cast and crew to see films at the Silent Movie Theatre on Fairfax, and to the Nuart for its revival of Murnau's Sunrise: A Song of Two Humans (a morality tale about the corrupting influence of the city Murnau made for Fox in 1927) . The director applied some of what he learned: Murnau, for instance, had instructed his protagonist from Sunrise to wear heavy, weighted shoes on set after he fell on hard times; Hazanavicius did something similar when he dressed his fallen star in suits slightly too big for him. "He's not as perfect as he was in the first act," he says. Hazanavicius credits the world's fascination with Hollywood for the film's international appeal, but the enormous enthusiasm of Harvey Weinstein is the reason it has exploded out of the gates during the festival season into the awards race. Weinstein, who had enjoyed the OSS films, had heard about the movie from Langmann and in March flew to Paris, where he saw the film alone in a screening room. Weinstein was not ambiguous in his praise. The Artist, he says now, "treasures the American cinema I love. It's an inspiration, everything about the movie -- where they shot the movie, the way they used American cast and crew. It's just a love letter to American cinema." Langmann was impressed with Weinstein's urge to pull the trigger without any associates along to vet the decision. It was still months before Cannes -- it was not even assured at this point that the film would be released in France -- but by the time of the festival, the deal to distribute in the U.S., the U.K. and other regions was done. The film ends with a tap dance that required more work than anything else in the film. "I think 95 percent of the preparation was for the tap dancing," Hazanavicius says. Bejo recalls her practice with both pleasure and exasperation: "Five months, every day." The film was shot in as close to real sequence as possible -- in part to give the actors time to learn to tap dance, and partly so they would travel the same journey as George and Peppy before arriving at the climactic scene. "The dance is all about their characters," Hazanavicius says. "If it's just a performance, it's not interesting." Bejo's attitude toward the conclusion captures some of the quality that makes her character -- and the film -- so winning. "I kept telling myself: 'Just smile, look at each other, enjoy the moment. The happier you are, the less people will look at your feet. Just act, don't try to be good -- your feet will follow.' " PHOTO GALLERY: View Gallery The Making of 'The Artist' Related Topics The Artist 1 2 next last

Thursday, November 24, 2011

NBC Apologizes to Bachmann Wanted for Fallon Intro Music

Michelle Bachmann, Late Evening With Jimmy Fallon Request and you also shall receive. Bachmann Wanted demands apology over "Lyin'" intro music on Jimmy Fallon NBC has apologized to Bachmann Wanted, who chastised the network on Wednesday due to not speaking up sooner about her appearance on Late Evening With Jimmy Fallon, throughout the GOP presidential candidate was welcomed on stage while using 1985 Fishbone song "Lyin' A-- B----," carried out by house band The Roots. Late Wednesday, Bachmann received instructions from Doug Vaughan, NBC's v . p . for late evening programming, who referred to as incident "not only unfortunate but furthermore unacceptable." Furthermore to apologizing, Vaughan also noted this guitar rock band happen to be punished. Jimmy Fallon immediately needed to Twitter to apologize for your stunt, which follows other past snarky musical intros. "I'm honored that @michelebachmann was on our show yesterday and i'm so sorry in regards to the intro mess," he tweeted Tuesday. "I'm wishing she returns." See the relaxation of current day news Bachmann came out on Fox News' America's Newsroom on Wednesday, accepting Fallon's apology, but imploring NBC to apologize too. "In the event that were Michelle Obama, who'd emerge round the stage, so when that song happen to be carried out for Michelle Obama, I have undoubtedly that NBC may have apologized to her and likely they'd have fired the drummer, or otherwise suspended him," Bachmann mentioned. Responding to his choice of music, Roots drummer ?uestlove mentioned in the statement: "The performance will be a tongue-in-mouth area and occasionally decision. The show was not aware from it which personally i think below componen if her feelings were hurt. That was not my intention."

Wednesday, November 23, 2011

Around The Edge: Online Cleaning soap Opera Network May Fold, Spelling The Finish Of OLTL, AMC

EXCLUSIVE: This really is potential very not so good news for cleaning soap fans who feel grateful this Thanksgiving that canceled ABC series One Existence To Reside and all sorts of The Kids may continue online. That now might not be happening. It had been considered a bold and dangerous move when Wealthy Frank &Shaun Kwatinetzs Prospect Park in This summer designed a certification cope with ABC to help keep OLTL and AMC alive for online distribution. The transfer from broadcast TV towards the Web demonstrated much more difficult than anybody anticipated. I hear that Prospect Park self-funded extensive research and it is principals held 100s of conferences with potential traders for his or her Online Network, that was initially slated to produce within the first quarter of 2012. (The most recent plan continues to be at least Existence To Reside to take first, with all of The Kids placed on hold.) In an indication of potential hurdles, Prospect Park at the end of This summer released an argument it was “in the entire process of exercising the fundamental relation to our suggested collective negotiating contracts using the appropriate guilds and unions, which we should do just before firming up handles above- and below-the-line talent.” I hear that individuals discussions demonstrated difficult, mostly because there's no existing template for any broadcast program shifting online. Word would be that the guilds happen to be searching to keep OLTL and AMC to broadcast terms, that is somewhat understandable because the Prospect Park-ABC deal requires the 2 series to continue being shipped with similar quality andin exactly the same format and length. But shows created on broadcast terms are impossible to aid with internet versus. TV advertising. (ABC, making extra cash on its soaps from off-network sales to SoapNet and foreign areas, stated it had been still taking a loss on OLTL and AMC, resulting in their cancellation.) To create the prospective launch date, the cleaning soap authors hired by Prospect Park were designed to start work earlier this year however they haven’t as there's no cope with the WGA. And all sorts of pacts with stars from OLTL and AMC that Prospect Park made in the last couple of several weeks were contingent on clearances through the unions. Furthermore, I’ve discovered potential difficulties with the internet network’s tech partners. I hear that Prospect Park principals continue to be looking for a last-minute means to fix keep your cleaning soap online venture going but feel pressed right into a corner after tiring every possible avenue and might wish to close the lid on the moment today.

Friday, November 18, 2011

Web Series Company directors Prove a Large Budget Is not Essential to Make Quality Independent TV

Kate Wetherhead and Andrew Keenan-Bolger, "Distribution Only" The theater community has accepted Kate Wetherhead and Andrew Keenan-Bolger's actor-centric Web series "Distribution Only," and guest stars Kristin Chenoweth, Rachel Dratch, and Chita Rivera are just the start of show's A-list talent. But despite their fame, these stars still turn to Wetherhead and Keenan-Bolger for advice."What you know already in a certain point people stop searching for direction, also it really is not the situation," states Keenan-Bolger, who produced, directs, seems in, and creates the show with Wetherhead. "You kind of pricier that. Us giving direction to those absurd Tony those who win is definitely kind of mind-coming."The show's high-profile guest stars also exemplify the tight-knit character from the theater world, as Wetherhead and Keenan-Bolger filled all of the roles with buddies and acquaintances. Ironically for any show about who audition, the designers haven't auditioned anybody. "We undergo our mutual buddies on Facebook," Keenan-Bolger states of methods they cast the first season. "The planet required to observe how gifted a few of these everyone was.InchFor that second season, which airs solely on BroadwayWorld.com, the duo requested a nearby casting director for help. Formally the show doesn't have casting directoraside in the imaginary ones around the series.However, casting company directors, company directors, and authors have arrived at to they for an opportunity to become on the program. "I believe it's funny that this really is the acting chance they need,Inch states Wetherhead, who also stars as lower-on-her-luck actor Cent Reilly. However, you will not see these creatives playing themselves. "That's our rules," Wetherhead describes. "If you are no actor and you're simply on the program, you cannot play that which you do."No casting director is connected to the series at this time around. Email submissionsonly@yahoo.com to ask about casting possibilities. Ned Ehrbar, "Co-op from the Damned" It's harmful to become an actress sometimes. "Our stars accidentally consumed fake bloodstream," states Ned Ehrbar, creator, author, and director of "Co-op from the Damned," a sketch comedy Web series in regards to a haunted apartment building. "One was handcuffed to some chair and that we could not discover the key."The series just completed shooting its five-episode second season, and also the creative team is speaking with websites about hosting it. Ehrbar shoots the show episodically and utilizes a casting director to maintain the interest in new figures. Casting director Jonathan Groce also demonstrated useful when Ehrbar needed to request stars to look nudea tricky situation, specifically for a minimal-budget Web series. "You are just very up-front and sincere and obvious," Ehrbar states, "and do not pull the rug from under them anytime throughout the discussions."Although Ehrbar creates the show, it depends on improvisation, an art he searches for in most his stars. "I write kind of a really fundamental description of what is going to happen, and so the actor fills in many the blanks," he describes.To remain on track, Ehrbar storyboards every episode. "We go ahead and take individual sections and use them a large board somewhere on set," he states. "We tear them off once we finish them. As lengthy once we have that done, then other things that anybody pops up with is fantastic."To make contact with Jonathan Groce, the casting director of "Co-op from the Damned," email jgroce724@gmail.com or mail distribution to 805 N. Dillon St., L.A., CA 90026. Sean Becker, "The Guild" "The Guild," produced by and starring Felicia Day, may be the poster child for effective Web series, but director Sean Becker continues to have lots of rivals. "Our competition isn't just other Web series but additionally viral videos online,Inch he states. "With sites like Hulu and Netflix, now we are rivaling actual TV and actual film."The most popular showits YouTube funnel has a lot more than 300,000 subscriberschronicles the escapades of several online players, and Becker, who won this years Streamy Award for comedy pointing, continues to be using the series since Season 2. After five effective seasons along with a partnership with Microsoft, the show has got the luxury of the production crew, which provides it an aggressive edge.Despite its success, however, "The Guild" is limited to some tight budget. The designers only have about fourteen days to shoot a 12-episode season that's eight to 11 pages each day. "From the pointing perspective, I would like to shoot episodically, because then you're able to concentrate on that single moment," Becker states, adding he shoots the show because he would an element film. "But that is improper.InchYou will find no testing days prior to the shoot, and all sorts of the extra supplies work with free. Fortunately, fans from the show don't appear in your thoughts. "They've really produced their very own group known as the Guild of Extra supplies," states Becker. "They have glued being fans from the show and standing on set while 'The Guild' has been made."The casting director of "The Guild" is Helen Geier. No contact details was deliver to this short article. Scott Brown, "Asylum" Scott Brown lies to his stars. Well, not technically. The director of "Asylum" keeps the show's mysteries alive by hiding plot points in the stars, therefore producing a far more truthful reaction inside them. "Since the actor does not know, it causes this interesting have to discover within their character," he describes.Pointing a mental drama was something of the mystery for Brown themself. Like a author and director concentrating in comedy, he met "Asylum" creator Serta Williams when they were studying screenwriting together in the College of Los Angeles. Brown required the chance to direct drama as a means of challenging themself and growing being an artist.But drama is really a challenge for an additional reason too. "If people visit the Web, they have got 5 minutes and they would like to laugh," Brown states. "It's challenging a five-minute fix of drama.""Asylum" lately joined with Wager.com for that show's second season along with a bigger platform to assist provide authenticity. "We attempt to build up a crowd who's willing to create a resolve for the arc of all of the episodes," Brown states. "Drama is a superb storytelling medium, and there is a location for this on the web.Inch While Wager acquired "Asylum" being an exclusive Web series, no casting director is connected to the series at this time around. Creator Serta Williams can be obtained for queries at serta_williams@mac.com.

Monday, November 14, 2011

'Community' Stars, Creator, React to Midseason Schedule Change

NBC announced its midseason schedule Monday, and Community (which is currently in its third season) wasn't on it (Maria Bello's Prime Suspectwas also missing from the new lineup).our editor recommends'Prime Suspect' Future Uncertain, 'Community' Will Be Back on NBC'Community': 10 Things to Expect From a Darker Season 3 (Video)'Community's' Yvette Nicole Brown Shares Advice for Aspiring Actors (Video) PHOTOS: NBC's Fall Key Art for 'Playboy Club,' 'Grimm,' 'Whitney,' More But, before fans of the ratings-challenged comedy series could decide to send "save the show" letters to NBC, sources told The Hollywood Reporter the network does not plan to cancel it. Community will return at a date that has yet to be determined, said insiders. STORY: NBC Sets Midseason Schedule, Moves 'Whitney,' 'Up All Night,' More However, the news did spark Twitter comments from some of the show's key players, who seemed less than thrilled with the midseason knock off. Executive producer Neil Goldman tweeted "Midseason schedule burn!" after the news broke. PHOTOS: On the 'Community' Set To which, series creator Dan Harmon responded "Streets ahold!" This caused actress Alison Brie to write, "Troy and Abed in the...summer??" while retweeting her bosses comments. Show star Joel McHale then retweeted the entire dialog, adding his own comment, "Horsebot 3000 Noooo!" As of Monday evening, there was no word from the show's other stars, Danny Pudi, Donald Glover (who did tweet promoting his new album Camp, which hits stores Tuesday, Nov. 15), Gillian Jacobs, Yvette Brown and Chevy Chase (who doesn't have a twitter). Related Topics Alison Brie Chevy Chase Danny Pudi Joel McHale Yvette Nicole Brown NBC Community Dan Harmon Donald Glover Gillian Jacobs

Rothemund sets sail for 'Galapagos'

BERLIN -- German helmer Marc Rothemund is placed to create the real story of several ill-fated European settlers, who searched for to forge a brand new existence on among the Galapagos Islands throughout the nineteen thirties, towards the giant screen. Munich-based Telepool and KJ Entertainment have teamed with Perfume producer Tatfilm to collectively develop and convey "Galapagos." The film is dependant on the 1959 autobiographical book "Postlagernd Floreana" by Margarete Wittmer, who showed up around the island together with her husband and stepson in 1932 hoping of beginning a brand new existence far in the economic and political reality in Germany. The Wittmers shared the area of Floreana along with other eccentric settlers, together with a Berlin dental professional and the mistress plus an Austrian-French baroness and her two enthusiasts. After only a couple of several weeks, however, existence in paradise converted into a full time income hell as three from the settlers died under mysterious conditions while another three disappeared with no trace. Rothemund, who won the ecu Film Award for his 2005 Nazi-era drama "Sophie Scholl: The Ultimate Days," is pointing from the script by Petra Lueschow ("The Murder Farm"). The producers are searching to cast high-profile German and worldwide talent for that pic. Contact Erectile dysfunction Meza at staff@variety.com

Friday, November 11, 2011

Jason Statham Doesn't Participate In It 'Safe' In New Trailer

In Jason Statham's approaching film "Safe," he's finally found a lady worth fighting for. Except, in this particular situation, she's only 12 years old. The "Transporter" star plays a classic NY cop who'll get caught in the tricky situation when he spots some males attempting to capture a young girl in the subway station. After incapacitating them and saving the woman (could this technically be kidnapping? I guess we'll uncover inside the movie), he discovers the main reason the males want her is really because she has the capacity to remember anything placed before her, and this time around around she commited to memory something vital. The amount of amounts she was expected to remember certainly are a code, but a code that? Apparently it's for something important enough to go to war over. Statham certainly seems within the take into account "Safe," that will hit theaters March 2. Kicking butt, taking names and being the all-around perfect action hero is only a future date inside the existence in the British actor, who's presently filming "The Expendables 2." But it's nice that "Safe" may even showcase Statham's sentimental side, while he certainly eventually eventually ends up obtaining a effective emotional mention of the the youthful girl he's adopted as his ward. Possibly the most effective moment inside the trailer is available in the conclusion, when Statham confesses for the gentleman standing alongside him he never knows "items to say throughout these moments." "What moments?" the man asks. "Individuals before I kill someone," Statham replies, after which it flies within the camera with guns blazing. He might play virtually the identical character in every single action movie he stars in, but Statham is obviously an actress we love to to look at round the silver screen. Whoever else consider the "Safe" trailer? Reveal inside the comments section below or on Twitter!

EMI Models to become Offered to Universal Music, The new sony for $4.1 Billion

NY - In 2 deals worth $4.1 billion overall, Vivendi's Universal Group is placed to get EMI Group's recorded music division, while an organization brought by The new sony Corp.'s music unit will leave with EMI's music posting arm, barring last-minute problems, the Wall Street Journal reported Friday. Citigroup, which presently is the owner of the U.K. music company, looks to obtain a better-than-expected cost within the planned purchase, that could be introduced afterwards Friday or over the past weekend, based on the paper. EMI artists range from the Beatles, Norah Johnson and Robbie Williams. EMI's recorded music arm is going to be offered to Universal Music for $1.9 billion, as the The new sony-brought group pays $2.2 billion for that music posting business, based on the Journal. Universal Music was formerly viewed as having to pay around $1.5 billion after Warner Music withdrew a $1.5 billion offer after talks stopped working with Citigroup. The posting arm was viewed as opting for around $2 billion, with BMG Privileges Management a vital competitor for The new sony within the putting in a bid process. Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Subjects The new sony Vivendi Universal Group EMI The new sony Music

Wednesday, November 9, 2011

ITV2 Orders Celebrity Interview Series Starring Perez Hilton

ITV2 has given a four-episode order to Perez Hilton Super Fan, an unscripted series featuring the celebrity blogger getting close and getting another celebrity each week, including Rhianna, Kelly Rowland, Katy Perry and Enrique Iglesias. The series, which will premiere on ITV2 in December, arises from Chris Coelens Kinetic Content, along with Scotland-based STV Prods., GroupM Entertainment as well as the Collective. Kinetic will probably be shopping the series to US systems over the following day or two. Worldwide, it'll be compiled by DRG. Chris Coelen, Perez Hilton, STVs Alan Clements, GroupMs Richard Promote and Tony Moulsdale as well as the Collectives Steven Grossman will executive produce along with Kinetics Jennifer Danska and Matilda Zoltowski.

Friday, November 4, 2011

NCR Says Blockbuster Express Price Increase Will Simplify Consumer Choices

NCR wants to sell the Blockbuster Express DVD kiosk business, but it may have to deal with some angry customers on Tuesday when it implements its 3-2-1pricing plan.The company will continue to charge $3 for the first night to rent a DVD that’s been out 28 days or less. (Actually new movies will cost a penny more; they’re now $2.99.) The big change involves DVDs from the 29th to the 90th day after they’ve been released: NCR is raising the first night price to $2 from $1.After 90 days theprice drops to $1. In each case it costs an extra buck for each additional night. (Blu-ray discs cost $1 more than DVDs in each window.) Why is NCR making the change? It has some PR cover; Redbox just increased its price to $1.20 from $1. And last week NCR’s John Bruno told analyststhat the company is exploring “profit-enhancing initiatives including premium pricing for the new releases.” NCR also wants to keep studios happy: With its higher price, Blockbuster Express isn’t subject to the 28-day delay on new releases that Warner Bros, Universal, and Fox apply to Redbox and Netflix. Bloomberg reports that studios will receive a piece of the action from the $2 rentals. NCR says it will guarantee that new releases will be available at its 10,000 kiosks; customers who find a choice that’s out of stock can text NCR asking for a promo code giving them $1 off another $3 or $2 disc. That enables NCR to position this as a pro-consumer move. “We are making this change based on feedback from our customers,” the company says, adding that “with this change we are simplifying our pricing structure and clearly defining our portfolio of movie rental options.” One thing that’s not clear: Blockbuster Express no longer is connected to Blockbuster, which Dish Network bought in April. The satellite company and NCR are in court fighting over NCR’s right to use the Blockbuster name which it licensed in 2009.

Friday, October 28, 2011

The Expletive-Laced, Booze-Drenched Good reputation for the 'Rum Diary' Movie

"Coming half-drunk inside a foreign place is difficult around the nerves. You've got a feeling that something is wrong, that you simply can't obtain a grip." -- Hunter S. Thompson, 'The Rum Diary' The Actor-brad Pitt and Hunter S. Thompson are relaxing in a tiki hut on Depp's property in La a fireplace is burning within the pit along with a bottle of Jack Daniels rests up for grabs. It's 1999. The superstar and also the good physician have collected to solicit potential bankers to have an adaptation of Thompson's lately released book, 'The Rum Diary.' Carol Sorensen, mind from the now defunct studio The Shooting Gallery, approaches. Pleasantries are exchanged and Depp starts reading through an excerpt in the novel. "...I lay back around the cot having a bottle of rum sitting on my navel, and plotted how you can defend myself. Basically were built with a luger, I figured, I possibly could drill the bastards. I rely on one elbow and pointed a finger in the window, seeing what type of shot I possibly could get. Perfect... " The 3 of these wallow in it, speaking, laughing, imbibing, and strategizing, without any method of knowing that it'll be another 12 years prior to the movie finally opens. For the reason that time, A-listers is going to be cast after which give up financing is going to be moved from studio to studio and something author-director, who was simply sober for six-and-a-half years, will start consuming again -- all in order to bring this boozy pre-Gonzo tale of the American journalist in Puerto Rico towards the giant screen. It's hardly the road Thompson imagined when he first made the decision to create the film. Hell, it's hardly the road he saw when he first started writing 'The Rum Diary,' almost 40 years earlier, while residing in Puerto Rico. Yes, it has been a lengthy, twisted journey for Hunter S. Thompson's first novel. Thompson, who had been in the early 20s when he authored it, would state that he wanted 'The Rum Diary' to become the "Great American Novel" -- on componen with F. Scott Fitzgerald's 'Great Gatsby.' Years later, he accepted it rather grew to become "the truly amazing Puerto Rican novel," not too there's anything wrong with this. The way the 'Rum Diary' book found be is really a story by itself (one which will get an amazing telling inside a recent 'GQ' article), but let us get the storyline in 1999, twelve months following the book's release. This is when Thompson and the friend The Actor-brad Pitt started exploring the thought of making it a movie. The initial plan have been for 'The Rum Diary' to become released before 'Hell's Angels,' Thompson's gripping true-existence tale from the renegade California bike gang. But after Thompson gone to live in free airline Coast, within the mid-'60s, buddies started pushing him to complete 'Hell's Angels' rather than 'The Rum Diary.' It had been raw, emotional and fit within the New Journalism genre that individuals have been raving about. 'The Rum Diary' was, comparatively, old-fashioned -- composed within the Hemingway or Fitzgerald vernacular of yesteryear. Eventually, the novel wound up in Thompson's basement, gathering dust. It might be a long time later before someone happened upon it -- though who that somebody was remains dependent on debate. "A lot of people have stated to possess found the initial manuscript," states Anita Thompson, who had been married to Hunter throughout the final many years of his existence. "He borrowed it to ['60 Minutes' correspondent] Erectile dysfunction Bradley at some point, decades ago. There have been also different versions from the manuscript, and so i think Johnny [Depp] is correct in saying he'd found one version from it. Doug [Brinkley, a historian dealing with Hunter] thought it was. [Author-investigator] Shelby Stadler thought it was. Various assistants thought it was.Inch Regardless of who "discovered" it, there is soon an over-all consensus that Thompson should publish it, then possibly transform it into a film, with The Actor-brad Pitt starring because the youthful journalist Paul Kemp. Depp was an apparent option for the role -- he'd already performed Hunter (underneath the alias of Raoul Duke) in 1998's 'Fear and Loathing in Vegas,' a film with different number of articles Thompson wrote for 'Rolling Stone' magazine within the seventies. To check out the part, Johnny had moved directly into Hunter's basement in Colorado, where he happened over the 'Rum Diary' manuscript. With heavy curiosity about it and among the greatest stars in the world in the corner, Thompson made the decision to forge ahead using the film. To obtain the right person to really make it, he and Depp started holding court in the actor's house in California. Eventually, they chosen Carol Sorensen. Things would soon have a turn for that surreal, because they frequently did when Thompson was involved. Carol had decided to help finance the film, however the slow pace of progress started to irritate the writer. Then, in The month of january 2001, Carol received a now infamous fax from Thompson: "Okay, you lazy bitch. I am getting fed up with this waterhead fuckaround that you are doing with 'The Rum Diary.' We're not even spinning our wheels strongly. It's such as the whole project got surrended to zombies who reside in card board boxes underneath the Hollywood Freeway. I appear to be the sole person who's doing anything about getting this movie made. I've put together Depp, Benecio del Toro, Kaira Pitt, Nick Nolte, along with a fine film writer from England named Michael Thomas ... And when you do not make a move QUICK [sic], you are likely to destroy an excellent idea. I am inside a mood to reduce yr. [sic] fucking hands off." Was Thompson going to bolt? Was the film in serious danger of not made? On first (and 2nd, and third) reads, the letter sounds almost fatally threatening. But Anita Thompson and Sorensen herself recall it as being a small bump within the road. "That's, in ways, a hug from Hunter. He was serious, and simultaneously, he cared enough to take time to write instructions, the industry sign that it was vital to him," states Anita, who'll turn to further her late husband's legacy using the soon-to-be-released Gonzo Foundation. "But he wanted this method to become fun. Then when it stopped being fun and found a grinding halt, he [did] such things as that to kick it into action. Sorensen, talking to filmmaker Wayne Ewing, also made a decision to accentuate the positive. "[Hunter] never was rude, lectureous -- he would be a chivalrous romantic guy ... [We] were built with a difference of opinion whether Michael Thomas was the best film writer for 'the Rum Diary,' which was a large area of the problem. But ... I'd an enjoyable experience with Hunter." When the fax's purpose ended up being to right the ship, however, it unsuccessful. Eventually, Benecio del Toro, Nick Nolte and Josh Hartnett all delivered the project, as did Sorensen and also the Shooting Gallery. Then, in 2005, Hunter S. Thompson put a gun to his mind and committed suicide. He was 67 years of age and affected by health issues. Inside a suicide note subsequently released in 'Rolling Stone,' he authored, "Relax -- This will not hurt." Buddies and family collected at his home in Woodsy Creek, Colorado to transmit him served by an effective salute. Thompson's dying only increased Depp's resolve to recognition his late friend through getting the film made. Right after the funeral, producer Graham King acquired the privileges towards the book, and things started moving again. Then, in 2007, Johnny employed Bruce Robinson, author-director from the alcohol-drenched cult classic 'Withnail & I,' to create and, ultimately, direct the film. "[Johnny] sent me it, and that i see clearly, known as him up and stated, 'Yeah, I'll write the script,'" Robinson informs Moviefone. "4 or 5 several weeks later, he was back at risk saying, 'Are you likely to direct it?' I'd determined and guaranteed myself I wasn't likely to ever try to be considered a film director again. Period. To become a cajolled with a celebrity into pointing something would be a really rare and unusual experience. But Johnny might have whomever the hell he likes, cheap he am certain that I will be the right director for this -- ultimately you acquiesce to that particular.Inch It's not hard to understand why Depp am insistent. Though he'd been sober for six . 5 years, Robinson wrote and directed among the great alcohol-fueled adventure tales ever: 1987's 'Withnail & I,' whose title character, performed by Richard E. Grant, scandalizes the patrons of the quiet café by standing and announcing, "We would like the best wines open to humanity. And that we would like them here, and that we would like them now!" Try because he might, however, Robinson could not appear to locate a distance to the script. He then had so what can simply be referred to like a Gonzo epiphany: This rum-drenched story needed a jolt of electricity, and the only method it would have it was through alcohol. "I had been travelling during my writing room for around per month before I possibly could obtain a hook on [the storyline], and that i recognized which i needed to visit. I needed to return into that devote my mind. I desired to have the madness again a little," Robinson states. "[Even though my mind says, 'Don't visit, don't visit,A the creative side of me says, 'If you do not visit, you cannot write this.' There is no words in bottles, however it softens up a little." Robinson could drink, finish the script after which quit. It's as though Thompson's spirit was presiding within the writing process, withholding inspiration until Robinson was prepared to risk his sanity -- as well as his existence. Soon, the script was finished. Aaron Eckhart, Amber Heard and Giovanni Ribisi became a member of the cast, and also the film started production in Puerto Rico last year. 2 yrs later, Thompson's vision has again been taken on celluloid, his rabid curiosity showing itself off to a different generation of fans. But make no mistake: 'The Rum Diary' isn't any 'Fear and Loathing Part 2.' You will find no lizards moving up Depp's leg or imaginary bats beating their wings in the face. The novel, in the end, was written before Hunter's Gonzo days, when he was still being trying to puzzle out who he was and what he wanted in existence. It is a portrait of the guy near something profound, and potentially harmful towards the establishment. Precisely what it's, he -- or, more particularly, Paul Kemp -- can't quite make sure. But every bottle of rum, glass of vino and vicious, cursing tirade appears to hint in the answer. [Photo: FilmDistrict] Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

Tuesday, October 25, 2011

Mike Judge's Beavis and Butt-mind Good Vibes

'Mike Judge's Beavis and Butt-head'Produced by Judgemental Films, Ternion Prods. and three Arts Entertainment. Executive producers, Mike Judge, John Altschuler, Dork Krinsky, Yvette Kaplan, Michael Rotenberg, Tom Lassally supervisory producer, Rhonda Cox supervisory company directors, Kaplan, John Grain animation segment company directors, Tony Kluck, Ted Stearn authors, Altschuler, Krinsky, DJ Javerbaum creative supervisor/character design, Judge art director, Michael P. Rose. 30 MIN. Voice Created by Werner Entertainment, Rough House Pictures, Not the QB Prods. and Six Point Harness in colaboration with Warner Horizon Television. Executive producers, David Gordon Eco-friendly, Tom Brady, Tom Werner, Mike Clements, Kaira Ableson producers, Joe Boucher, J. Michael Mendel director, Chris Martin authors, Eco-friendly, Brady, Christian Lander original character designs, Ableson. 30 MIN. VoicesBeavis, Butt-mind - Mike Judge Mondo - Josh Gad Woodie - Adam Brody Babs - Debi MazarThe boys have returned at MTV, together with newer and more effective buddies. Only "Beavis and Butt-mind" -- which now somewhat pretentiously carries creator Mike Judge's title upfront -- continues to be a rowdy, guilty hoot, while companion "Good Vibes" is yet another adherent towards the Seth MacFarlane school of animated comedy -- namely, fire off jokes in rat-a-tat fashion and hope a couple of connect. "Vibes" does yield a few amusing bits, but Judge's mumbling, "heh heh"-ing goofballs once more steal the show. Frankly, it might be worth getting "Beavis and Butt-mind" back strictly because of its amusing riffs on MTV programming, because the two teenage doofuses -- happily unchanged using their run within the the nineteen nineties -- take a seat on a couch leaving comments on fare like "16 & Pregnant" and "Jersey Shoreline." Watching the second, they are amused by a listing the gang puts together attempting to trace almost all their intramural hookups. "When they like did this chart lengthy enough, they might discover where herpes started," Butt-mind drones. Each of the small-tales within each half-hour will also be pretty funny by themselves -Body including teenage girls' quite recent infatuation with vampires of the underworld (and B&B's determination to obtain bit), another a unique squabble over whether Beavis cried at something he saw on television. Mostly, Judge comes with an unerring ear for popular culture and outright stupidity -Body that mostly eludes "Good Vibes." The series focuses on overweight 15-year-old Mondo (voiced by "It of Mormon's" Josh Gad), who moves to some Los Angeles beach town together with his trampy mother (Debi Mazar). Mother really yields the very best recurring gag, as she seeks a brand new job and keeps mentioning to her employment options being more suitable to generating a full time income "on my small knees" or "on my small back" -- which, shockingly, does not mean what one may think. Apart from that, though, it is all about Mondo's efforts to suit in, getting rapidly been adopted through the wacky surfer Woodsy (Adam Brody), who becomes his tour help guide to this Off-shore Coast purgatory. Series creator David Gordon Eco-friendly ("Pineapple Express") and fellow authors Tom Brady and Christian Lander keep your teen-oriented jokes flying fast and furiously, there is however nothing here to differentiate "Vibes" from a variety of similar comedies based on the familiar indignities of adolescence and school. MTV is lengthy past its very own growing pains, but it is telling "Beavis and Butt-mind" -- an artifact from the own adolescence -- once more may be the best factor around the network. For "Good Vibes," think about it as being a different one of individuals ho-hum waves you are able to securely let roll by.With: Mike Busey, Tony Hale, Danny McBride, Olivia Thirlby, Alan Tudyk. Contact John Lowry at john.lowry@variety.com

Monday, October 24, 2011

'Game Of Thrones' Actor Considered For 'Arthur & Lancelot'

Package Harrington and Joel Kinnaman are thinking about obtaining a a vacation in Camelot. The "Wager on Thrones" and "The Killing" stars have apparently examined for Warner Bros' King Arthur project "Arthur & Lancelot," The Hollywood Reporter has learned. It's unclear when the TV stars examined for either in the roles. THR states the 2 are really the management for your roles. "Wedding Crashers" director David Dobkin is both writing and pointing the project. See the relaxation of current day casting news following a jump! Gary Oldman And Helena Bonham-Carter Mind To Neo Tokyo, japan, japan Basically per week after Warner Bros introduced they were greenlighting their "Akira" remake which it'll likely star Garrett Hedlund, Twitch has learned some interesting casting gossips. Apparently Gary Oldman and Helena Bonham Carter are up for a lot of major secondary roles inside the project. He's been offered the role in the Colonel, while she could play one of the Espers, Lady Miyako. Unsure yet on whether they'll accept WB's offer. The ultimate time the two stars labored together was on "Harry Potter," another WB project. Eric Bana And Danny Huston Will Be The King And Tricky Dick Cary Elwes is employing some much spoken about talent for his directorial debut. Variety is verifying that "The Princess Bride" star has attracted on Eric Bana and Danny Huston to see Elvis and Richard Nixon inside the correctly titled flick, "Elvis & Nixon." Elwes also written the script, that's in line with the actual-existence event when Elvis visited the White-colored House to assert he be considered a "Federal Agent-At-Large" within fighting against drugs inside the seventies. Production doesn't have a very start date yet, nevertheless the film will probably be shot in La and Shreveport, Louisiana. Kim Kardashian Joins Tyler Perry's Next Film Kim Kardashian is making her way from reality star to celebrity. Deadline reviews that they'll have another role in Tyler Perry's next project, "The Marriage Counselor." Jurnee Smollett plays the titular counselor who eventually eventually ends up cheating on her behalf account husband getting a customer and recognized she's developed a large mistake. Kardashian may have her colliege, a personality named Avoi, who gives her "a sizable city transformation and new confidence." Reveal your opinions on current day Casting Make contact with should be genuine below or on Twitter!

Sunday, October 23, 2011

The Corridor

A Chronicle Pictures and Last Call Prods. production, in association with Egg Films, with the participation of Telefilm Canada and Film Nova Scotia. Directed by Evan Kelly. Screenplay, Josh MacDonald.With: Stephen Chambers, James Gilbert, David Flemming, Matthew Amyotte, Glen Matthews.Yet another supernatural thriller about friends who slip into darkness while out in the woods, "The Corridor" offers little more than low-voltage shocks while plodding through familiar territory toward an underwhelming climax. Helmer Evan Kelly and scripter Josh MacDonald rely on full-volume thesping from their game cast to indicate that something really and truly terrifying is going on, but fuzzy plot development and all-too-predictable mayhem aren't enough to elevate the Canadian-produced pic above run-of-the-mill, direct-to-video fare. Years after their buddy Tyler (Stephen Chambers) suffers a violent meltdown after the (allegedly) accidental death of his mom, four former high-school chums celebrate his release from an institution by joining him for a reunion at his late mother's winter cabin. But in the snow-blanketed forest outside the retreat, a possibly extraterrestrial "corridor" -- a translucent, steadily growing whatnot that recalls the aliens in "The Abyss" -- gradually exerts inexplicable control over the comrades, bringing their deepest fears and worst impulses to the surface. (A modestly clever irony: Because he's heavily medicated, Tyler is immune to mind control.) Some confrontations among the lead characters are quite funny, though it's hard to tell whether this is intentional.Camera (color), Christopher Ball; editor, Thorben Bieger; music, Charles Austin, Graeme Campbell; production designer, Terry Quennell; costume designer, Martha Curry. Reviewed at Fantastic Fest, Austin, Sept. 25, 2011. (Also in Toronto After Dark Film Festival.) Running time: 99 MIN. Contact the Variety newsroom at news@variety.com

Friday, October 21, 2011

Iraq Withdrawal: Exactly what the Media Say

Leader Obama introduced Friday morning that U.S. troops could be drawn from Iraq by year's finish. This news comes nearly nine years after Leader George W. Rose bush purchased the invasion of the nation.our editor recommendsCNN, MSNBC, Fox Air Nasty Mobile Phone Video of Dead Gadhafi The Leader stated, "The U.S. leaves Iraq with this heads held high" which the nation continues to supply help Iraq's government in "a powerful and long lasting partnership." Media response to the announcement came rapidly via Twitter, with a few mentioning the leader's achievements in the centre East yet others questioning the result the withdrawal may have around the region, and also the general price of war. The Washington Publish's Jackson Diehl: "Obama: 'The lengthy war in #Iraq will ended through the finish of the year.' Aside from Iraqis. And Iran." CNN's Piers Morgan: "Obama stated he'd get #BinLaden and that he did. He stated he'd get #Gadhafi and that he did. He stated he'd finish #Iraq war, and that he has. Impressive." Reuters contributor Pedro da Costa: "Little to celebrate. RT @thinkprogress Quantity of U.S. military deaths in Iraq: 4479. Total price of #Iraq war by March: $806 billion." Also from da Costa: "Dear Leader @BarackObama: are you able to promise our troops good jobs once they get home from #Iraq?" The Country's Jeremy Scahill: "I wager there's some champagne popping in certain Condition Department private security companies' offices at the moment. #Iraq" NBC News' Andrea Mitchell: "Leader states as guaranteed after almost 9 yrs america's war in #Iraq is going to be over after Iraq wouldnt grant legal protection to troops." NBC's Luke Russert: "#Iraq KIA: 4,469. Wounded: 32,213. Amputees: 1,146. Cost up to now: $712.2 billion." NY Occasions' John Stelter: "RT @jeffzeleny: Obama states, "After nine years, America's war in Iraq is going to be over." He doesn't make use of the word victory in the statement." Speaking Points Memo's Benjy Sarlin: "In 2012 Obama will have the ability to say he ended Iraq War, wiped out Bin Laden, deposed Qaddafi. Pretty impressive summary sentences for just one term." The Country's Christopher Hayes: TNR on Zakaria: "He was for that Iraq war when almost everyone was for this, belittled it when almost everyone belittled it" #pottokettle" Related Subjects Obama Politics