Film Clip Will get Within The 'Line Of Sight'

With "Argo" presently on his plate, Film Clip is preparing for which may be his next directorial effort, "Type of Sight." The Hollywood Reporter has got the news that Affleck is circling the project that's being created by Joel Silver and Andrew Rona. The program is the fact that he'd also star in "Type of Sight," like he did in 2010's "The CityInch and also the approaching "Argo." Preserving the popularity of his previous films, "Type of Sight" could be an action thriller, however with a distinctive conceit. The script for "Type of Sight" was created by Alex Heineman and lately done by "Halo: Achieve" author Peter O'Brien, therefore it should not come like a large surprise the movie is going to be affected beginning with-person shooter game titles. "Type of Sight" follows a top-notch commando squad assigned with moving important cargo whilst coping with what THR describes as "a worldwide threat." Except what sets "Type of Sight" aside from movies of their ilk is it informs its story from the perspective much like what first-person-shooter like "Halo: Achieve." It's unclear whether which will also involve your camera telling the storyline from the first-person perspective, like that which was attempted in 2005's "Disaster." Affleck has not formally seriously board the project yet, but THR appears to consider he'd a high probability of signing onto "Type of Sight." First he needs to shoot and star in "Argo," though, which begins filming fairly soon. "Argo" follows several Hollywood filmmakers who synergy using the CIA to free hostages in Iran. It's going to be out in theaters in 2012. Will you be thinking about seeing Film Clip direct and star in "Type of Sight"? Inform us within the comments section below or on Twitter!

Bigscreen sounds

Posted: Wed., Aug. 24, 2011, 12:00pm PTBy 20TH CENTURY FOX "Glee: The 3D Concert Movie" Release Date: Aug. 12 Director: Kevin Tancharoen Composer: James Levine Music supervisor: P.J. Bloom "What's Your Number"Release Date: Sept. 30 Director: Mark Mylod Composer: Aaron Zigman Music supervisor: Julia Michels "The Big Year"Release Date: Oct. 14 Director: David Frankel Composer: Theodore Shapiro Music supervisor: Julia Michels "In Time"Release Date: Oct. 28 Director: Andrew Niccol Composer: Craig Armstrong ATO PICTURES "Thin Ice"Release Date: Oct. 21 Directors: Jill Sprecher, Karen L. Sprecher Composer: Jeff Danna Music supervisor: Doug Berheim "The Woman in Fifth"Release Date: Oct. 21Director: Pawel Pawlikowski Composer: Max de Wardener Music supervisor: Francois Dru"The Monk"Release Date: Nov. 4 Director: Dominik Moll Composer: Alberto IglesiasMusic supervisor: Alberto Iglesias DREAMWORKS ANIMATION "Puss in Boots"Release Date: Nov. 4 Composer: Henry Jackman Music supervisor: Sunny Park DREAMWORKS "Fright Night"Release Date: Aug. 19 Director: Craig Gillespie Composer: Ramin Djawadi Music supervisor: Dana Sano "Real Steel"Release Date: Oct. 7 Director: Shawn Levy Composer: Danny Elfman Music supervisors: Jennifer Hawks, Anthony Seyler FOCUS FEATURES "One Day"Release Date: Aug. 19 Director: Lone Scherfig Composer: Rachel Portman Music supervisor: Karen Elliott "The Debt"Release Date: Aug. 31 Director: John Madden Composer: Thomas Newman "Tinker, Tailor, Soldier, Spy"Release Date: Nov. 18 Composer: Alberto Iglesias Music supervisor: Nick Angel FOX SEARCHLIGHT "Martha Marcy May Marlene"Release Date: Oct. 21 Director: Sean Durkin Composers: Saunder Jurriaans, Danny Bensi IFC "Brighton Rock"Release Date: Aug. 26 Director: Rowan Joffe Music: Martin Phipps Music supervisor: Ian Neil "Love Crime"Release Date: Sept. 2 Director: Alain Corneau Music supervisor: Pharaoh Sanders "The Black Power Mix Tape 1967-1975"Release Date: Sept. 9 Director: Goran Hugo Olsson Music: Ahmir "Questlove" Thompson, Om'Mas Keith "Flypaper"Release Date: Aug. 19 Director: Rob Minkoff Music: John Swihart LIONSGATE "Conan the Barbarian" Release Date: Aug. 19 Director: Marcus Nispel Composer: Tyler Bates Music supervisor: Selena Arizanovic "Warrior"Release Date: Sept. 9 Director: Gavin O'Connor Composer: Mark Isham Music supervisor: Brian Ross "Abduction"Release Date: Sept. 23 Director: John Singleton Composer: Edward Shearmur Music supervisor: Tracy McKnight "Safe"Release Date: Oct. 28 Director: Boaz Yakin Composer: Mark Mothersbaugh Music supervisor: Liz Gallacher MAGNOLIA "The Last Circus"Release Date: Aug. 19 Director: Alex de la Iglesia Composer: Roque Banos "Happy Happy"Release Date: Sept. 16 Director: Anne Sewitsky Composer: Stein Berge Svendsen "Tucker and Dale vs. Evil"Release Date: Sept. 30 Director: Eli Craig Composer: Mike Shields"Blackthorn"Release Date: Oct. 7 Director: Mateo Gil Composer: Lucio Godoy "Melancholia"Release Date: Nov. 11 Director: Lars von Trier PANTELION "Saving Private Perez (Salvando al soldado Perez)"Release Date: Sept. 2 Director: Beto Gomez Composer: Mark Mothersbaugh Music supervisor: Lynn Fainchtein PARAMOUNT "Footloose"Release Date: Oct. 14 Director: Craig Brewer Composer: Deborah Lurie "Paranormal Activity 3"Release Date: Oct. 21 Directors: Henry Joost, Ariel Schulman"Like Crazy"Release Date: Oct. 28 Director: Drake Doremus Composer: Dustin O'Haloran Music supervisor: Tiffany AndersRELATIVITY MEDIA "Shark Night 3D"Release Date: Sept. 2 Director: David Ellis Composer: Graeme Revell Music supervisor: Joe Rudge "Machine Gun Preacher"Release Date: Sept. 23 (limited) Director: Marc Forster Composer: Asche & Spencer Music supervisors: Happy Walters, Season Kent "Immortals"Release Date: Nov. 11 Director: Tarsem Singh Composer: Trevor Morris Music supervisors: Happy Walters, Bob Bowen ROADSIDE ATTRACTIONS "Circumstance"Release Date: Aug. 26 Director: Maryam Keshavarz Music supervisor: Gingger Shankar "Thunder Soul"Director: Mark Landsman Release Release Date: Sept. 23 Composer: Conrad O. Johnson Sr. Music supervisors: Jim Black, Gabe Hilfer "Margin Call"Release Date: Oct. 21 Director: J.C. Chandor Composer: Nathan Larson Music supervisor: Joe Rudge SAMUEL GOLDWYN FILMS "A Good Old Fashioned Orgy"Release Date: Sept. 2 Directors: Pete Huyck, Alex Gregory Composer: Jon Sadoff Music supervisor: Peymon Maskan "Inside Out"Release Date: Sept. 9 Director: Artie Mandelberg Composer: Jim Johnston Music supervisor: Neil Lawi "The Reunion"Release Date: Oct. 21 Director: Mike Pavone Composer: Jim Johnston Music supervisor: Neil Lawi SONY "Colombiana"Release Date: Aug. 26 Composer: Waddy Wachtel Music supervisor: Alexandre Mahout "Bucky Larson Born to Be a Star"Release Date: Sept. 9 Composer: Waddy Wachtel Music supervisors: Michael Dilbeck, Brooks Arthur "Straw Dogs"Release Date: Sept. 16 Composer: Larry Groupe "Moneyball"Release Date: Sept. 23Composer: Mychael Danna "Courageous"Release Date: Sept. 30 Composers: Mark Willard, Mark Harris "The Ides of March"Release Date: Oct. 7 Composer: Alexandre Desplat Music supervisor: Linda Cohen "Anonymous"Release Date: Oct. 28 Composer: Harald Kloser "Jack and Jill"Release Date: Nov. 11 Composer: Rupert Gregson-Williams Music supervisor: Michael Dilbeck, Brooks Arthur, Kevin Grady SONY PICTURES CLASSICS "Higher Ground"Release Date: Aug. 26 Director: Vera Farmiga Composer: Alec Puro Music supervisor: The Music Collective "Restless"Release Date: Sept. 16 Director: Gus Van Sant Composer: Danny Elfman "Take Shelter" Release Date: Sept. 30 Director: Jeff Nichols Composer: David Wingo "The Skin I Live In" Release Date: Oct. 14 Director: Pedro Almodovar Composer: Alberto Iglesias SONY SCREEN GEMS "Straw Dogs" Release Date: Sept. 16 Director: Rod Lurie Composer: Larry Groupe Music supervisor: Spring Aspers SUMMIT "50/50"Release Date: Sept. 30Director: Jonathan Levine Composer: Michael Giacchino Music supervisors: Jim Black, Gabe Hilfer "The Three Musketeers" Release Date: Oct. 21 Director: Paul W.S. Anderson Composer: Paul Haslinger Music supervisor: Michael Higham "The Twilight Saga: Breaking Dawn"Release Date: Nov. 18 Director: Bill Condon Composer: Carter Burwell Music Music supervisor: Alexandra Patsavas TRIBECA "Shut Up Little Man"Release Date: Aug. 26 Director: Matthew Bate Composer: Jonny Elk Walsh "Beware the Gonzo"Release Date: Sept 9 Composers: Anthony Roman, Tony Verderosa"Grave Encounters"Release Date: Sept. 9 Director: The Vicious Bros. Composer: Quynne Craddock "Janie Jones"Release Date: Oct. 28 Director: David Rosenthal Composers: Eef Barzelay, Gemma Hayes Music supervisor: Liz Gallacher "Romantics Anonymous"Release Date: October Composer: Pierre Adenot Music supervisor: Valerie Lindon UNIVERSAL "Johnny English Reborn"Release date: Sept. 16 Director: Oliver Parker Composer: Ilan Eshkeri Music supervisor: Nick Angel "Dream House"Release Date: Sept. 30 Director: Jim Sheridan Composer: John Debney Music supervisor: Dave Jordan "Wanderlust"Release Date: Oct. 7 Director: David Wain Composer: Craig Wedren Music supervisor: Jonathan Karp "The Thing"Release Date: Oct. 14 Director: Matthijs Van Heijningen Composer: Marco Beltrami "Tower Heist"Release Date: Nov. 4 Director: Brett Ratner Composer: Christophe Beck Music consultant: Randy Poster WARNER BROS. "Final Destination 5"Release Date: Aug. 12 Director: Steven QualeComposer: Brian Tyler "Contagion"Release Date: Sept. 9 Director: Steven SoderberghComposer: Cliff Martinez "Dolphin Tale" Release Date: Sept. 23 Director: Charles Martin Smith Composer: Mark Isham Music supervisor: Deba Anderson "A Very Harold & Kumar 3D Christmas" Release Date: Nov. 4Director: Todd Strauss-Schulson Composer: William Ross Music supervisor: John Bissell "J. Edgar" Release Date: Nov. 9Director: Clint Eastwood Composer: Clint Eastwood"Happy Feet Two" Release Date: Nov. 18 Director: George Miller Composer: John Powell The WEINSTEIN CO. "Spy Kids: All the Time in the World" Release Date: Aug. 19 Director: Robert Rodriguez Music: Robert Rodriguez, Carl Thiel "Our Idiot Brother" Release Date: Aug. 26 Director: Jesse Peretz Music: Nathan Larson, Eric D. Johnson Music supervisor: Susan Jocobs "Apollo 18" Release Date: Sept. 2 Director: Gonzalo Lopez-Gallego "I Gon't Know How She Does It" Release Date: Sept. 16 Music: Aaron Zigman Music supervisor: Dana Sano "Dirty Girl" Release Date: Oct. 7 Director: Abe Slybia Composer: Jeff Toyne Music supervisor: Linda Cohen "My Week With Marilyn" Release Date: Nov. 4 Director: Simon Curtis Contact the Variety newsroom at news@variety.com

Ross Barbour dies at 82

Founding Four Freshmen member Ross Barbour died Saturday in the Simi Valley, Calif., home from cancer of the lung. He was 82.Barbour was the final making it through original person in the most popular nineteen fifties harmony quartet, preceded in dying by three several weeks by his cousin Bob Flanigan. A local of Burnsville, Ind., Barbour created the group with Hal Krazitch, Marvin Pruitt (changed by Flanigan in early stages) and brother Don Barbour at Indianapolis' Butler U. in 1948. Additionally to delivering his baritone vocals, Barbour performed drums for that group.The foursome initially operated like a barbershop quartet but progressively incorporated greater jazz stylings. After signing to Capitol Records in early '50s, the group were built with a string of hits with "Graduation Day," "Mood Indigo," "DailyInch and "It is a Blue World." The group was nominated for six Grammys. Barbour upon the market in the group in 1977, though new people ongoing to do underneath the Four Freshmen title, with Flanigan the final to depart in 1992.Barbour is made it by his wife, Nancy Sue three children and four grandchildren. Contact the range newsroom at news@variety.com

Hollywood on Track for Record Summer Box Office

NEW YORK Hollywood is on track for a record summer box office thanks to higher 3D ticket prices and a slight attendance increase with the latest forecast from a prognosticator calling for a 6 percent improvement over last year.Boxofficemojo.com estimates that the May-August haul will reach $3.9 billion, the "New York Post" reported.The forecast comes after a record-breaking $1.4 billion box office haul in July that left summer box office revenue in North America up 4 percent over last year.The Post cited 3D films, such as the final installment of the "Harry Potter" franchise, "Harry Potter and the Deathly Hallows: Part 2," which earlier this month became the third-highest grossing film of all time, as a key driver. During the summer of 2010, movie studios released seven major 3D films. This summer has seen 12 so far, with four more to come, the paper highlighted.Meanwhile, Hollywood has sold 482 million tickets this summer, a slight improvement over last year's weak performance, but that is still the third-weakest result since the turn of the century, the "Post" said."The 3D grosses were up, but that's mainly because there were more 3D movies and more 3D screens versus last summer," Brandon Gray, president of Boxofficemojo.com, told the paper.Experts have highlighted that 3D tickets have this year represented a lower percentage of overall ticket sales though. Two of the summer's biggest hits "The Hangover 2" and "Bridesmaids" were 2D comedies, the "Post" pointed out.Hollywood is hoping that the summer boost will further narrow the year-to-date box office decline. As of the end of July, box office revenue for the year-to-date remained down 5 percent though driven by a sharp downturn in moviegoing earlier in the year. The Hollywood Reporter

Anna Christie

A Donmar Warehouse presentation of the play in 2 functions by Eugene O'Neill. Directed by Take advantage of Ashford. Anna Christopherson - Ruth WilsonMat Burke - Jude Law Chris Christopherson - David Hayman Marthy Owen - Jenny Galloway Ray - Henry Pettigrew Johnny the Priest - Paul Brightwell First Longshireman - Michael WaltersSecond Longshoreman - Matt Wilman Mail carrier - Robert LonsdaleThe ocean roars, plumes of sunshine ignite billowing fog, rain cascades lower the rear of the set, cries from the shipwrecked rend the environment, physiques of children crawl up from waves. All of a sudden, just like a brutish, wounded animal hurled up in the deep, Jude Law's gasping, drenched, semi-naked body heaves itself shuddering onto when, skidding lower the vertiginously high rake of Paul Wills' astonishingly versatile set. O'Neill did not write the stunningly staged storm scene, but it is essential to Take advantage of Ashford's visionary staging of "Anna Christie." Ashford's grip about this frequently melodramatic story of redemption is apparent from the outlet. As Howard Harrison's chilly lights cut over the Donmar's bare thrust stage, stars surge in, filling the home with energy because they build the dockside consuming living room beneath Adam Cork's suggestive, rising soundscape. This mixture of literal location along with a more mythic, physical world not just talks to O'Neill's self-conscious poetry it charges up what's frequently a static play. Moving cigarette ash away with neurotic abandon, pale Anna (Ruth Wilson) teeters in, stung with exhaustion. Her lipsticked gash of the mouth hanging slightly open, she looks both youthful and worn-through as she surveys her future, cracked because it is by her past. After fifteen years inside a horror-filled childhood on the farm, she's eager for relaxation. She's since been being employed as whore, a well known fact stored from her enraptured, staunchly sentimental father, Chris Christopherson, performed with fierce authenticity with a weather-beaten David Hayman inside a gruff, perfectly sing-song period Swedish accent. So when the storm washes stoker Pad Burke (Law) aboard her father's coal barge, it's obvious using their electrifying connection he and Anna take presctiption opposite sides of the fated union. O'Neill never was a author to embrace understatement, and there is not really a single thought within this play he is not at great pains to overexpress. That explanatory character is further complicated by O'Neill's passion for dualities -- Mat's yearning for love on land versus. the passion for the ocean, Anna's "depravity" versus. her idealized innocence, the strain between her hidden past and the imagined-of future. To try to naturalize or, rather, reduce the effects of everything right into a comfortable middle range would render it absurd, and that's why Ashford does not shrink from finding laughs in Christopherson's constant references towards the demon that's the ocean, as well as why he encourages his stars to embrace the elemental character from the writing. In true O'Neill fashion, the lovers' mutual longing is outfitted in torment. As she struggles between self-disgust and flickers of wrenching hope, Wilson ricochets hypnotically between taut physical defiance and tremulousness without ever falling into overt display, a restraint that keeps audienecs speculating. When Mat's vision of her is shattered through the thought of her whoring past, Law hoists an iron bedstead aloft and jams it lower, but never allows his anger boil over into indiscriminate, actorly shouting. Angered through the wheedling father who stands together, he literally picks him up, making Hayman seem like Tom Thumb. But Law, opting for broke having a wealthy Irish accent, also discloses Pad like a naive dreamer. When he informs Anna "I'd prefer buddies along with you than other things on the planet,Inch he directs his longing out in the ocean, partially from shyness and partially since the ocean's haunting presence ironically signifies security: It's all regulated he truly knows. The production's hallmark is its boldness. This can be a creative team employed in amazing harmony. The clearness from the thinking shows through Wills' costuming, which provides the mariners necessary heft and weigh -- except Hayman, whose baggy clothes help him look useless from inside, and Anna, whose translucent fabric lightly stresses her fragility, an excellent highlit by Harrison wrapping her in toplight. "Anna Christie" isn't staged, largely because of its ending awash with precariously unearned feelings. However these stars bring such three-dimensional conviction towards the play that unpredicted hope is tempered with a serious pain of sadness. Ashford's grippingly rooted, operatic production not just makes the perfect situation with this seriously problematic drama celebrate you lengthy to determine exactly what the helmer might do about the operatic stage proper. "Peter Grimes," anybody?Sets and costumes, Paul Wills lighting, Howard Harrison music and seem, Adam Cork production stage manager, Michael Dennis. Opened up, examined August. 11, 2011. Running time: 2 Hrs, 30 MIN. Contact David Benedict at benedictdavid@mac.com

Exclusive: ABC Developing New Game Show The Exit List

ABC logo The man who helped reinvent the game show at ABC is looking to do it again. Former Who Wants to Be a Millionaire? executive producer Michael Davies is behind The Exit List, which ABC has ordered to pilot. The Exit List follows contestants as they travel through a massive maze, answering multiple-choice questions along the way. The maze consists of rooms filled with money - and the further in they go, the bigger the prize. But contestants have to find their way out by remembering what they learned. Sony Pictures TV is producing the project with Davies' Embassy Row company. The show is partially based on a Dutch format created by David Grifhorst. At least one other country is at work on its own version of The Exit List. Davies is currently enjoying critical acclaim for his Oxygen competition The Glee Project, and he also executive produces the GSN game show Newlywed Game, as well as Bravo's Andy Cohen talk show Watch What Happens: Live. Davies was the head of ABC's reality TV division when he brought Millionaire to the network in 1999. He later left ABC to executive produce Millionaire, and continued to oversee the show as it moved into syndication. He quietly left Millionaire several months ago to focus on new projects. Davies' other recent game shows in development have included a new take on Pyramid, hosted by Andy Richter, at TBS; the A&E entry Hands On; and another new show, The Substitute, at MTV. Subscribe to TV Guide Magazine now!

Pedowitz eyes comedy for CW

The CW is searching to broaden its schedule with comedies, superheroes and series with closed-ended episodes underneath the leadership of recently hired prexy Mark Pedowitz, who gave his outlook for that network in the TCA press tour on Thursday. He accepted he envied a few of the half-hrs purchased by rival tv stations that will have become a huge hit to CW's core female-skewing 18-34 audience, naming CBS' "2 Broke Women," ABC's "Apartment 23" and Fox's "New Girl." "We're opening ourselves up to check out comedies this season,Inch stated Pedowitz. "We're feeling you will find comedies available that will have labored well on CW." Nevertheless, Pedowitz stated he isn't ensuring the development of a comedy block next fall. If the half-hour scripts pale compared to the typical diet of dramas and unscripted series, he's comfortable continue sans comedy. CW has not attempted comedies in the last 3 years underneath the previous regime of programming topper Beginning Ostroff. Additionally to developing its half-hrs like "Aliens in the usaInch that unsuccessful to obtain traction, the network attempted to maintain comedies inherited from the two forerunners, the WB and UPN, that merged to create the CW, including "Everyone Hates Chris," "Reba" and "The Overall Game." Stating the presence of Electricity Comics within the Warner Bros. family, Pedowitz stated he's positively searching to include a super hero-designed series to increase the schedule. He'll possess some competition for the reason that regard given ABC entertainment leader Paul Lee has formerly mentioned exactly the same intention, drawing in the stable of Marvel, also is possessed through the network's parent company, Wally Disney Co. Pedowitz also spoke of his need to see a minumum of one drama join the schedule that eliminates the serialized style that marks most CW series given they repeat better and enable more audiences to sample at night premiere. "We are not likely to leave behind serialized programming but simultaneously there is a deep concentrate on that close-ended show which has a CW show feel into it,Inch stated Pedowitz. "We want individuals shows. This is where we are headed." Another programming style Pedowitz signaled a desire for is remakes, stating the prosperity of "90210" on CW and Syfy's "Battlestar Galactica." However, he rejected to recognize specific qualities he's thinking of getting but made his desire to behave within this territory obvious: "In my opinion in new twists on a good idea,Inch he stated. All Pedowitz's programming interests feed right into a desire on his part to place shows about the schedule that both attract CW's core demographic while bringing in additional age ranges too. He recognized the Sarah Michelle Gellar vehicle "Ringer" as representational of this strategy. "It will likely be terrific if others reach sample exactly what the CW needs to offer because of 'Ringer,'" he stated. Pedowitz came to the conclusion his primetime wish list having a more pressing concern: additional original programming to assist fill the gaps when series would certainly get into repeats, specifically in the March-April time period. "We are likely to do what we have to caused by make certain we don't have individuals dark periods," he stated, decreasing to specify any development plans. The CW also introduced Thursday it has acquired a unique featuring a job interview with Rhianna questioned by designer Jean Paul Gaultier that initially broadcast in France. Airing Sept. 12, "Gaga by Gaultier" will be utilized for a lead-set for "The CW 2011 Fall Preview Special," a 45-minute consider the network's approaching season, located by Maggie Q ( "Nikita") and Kristoffer Polaha ("Ringer"). Pedowitz revealed that he's purchased additional instances of a quartet of their dramas. Two more instances of "Gossip Girl" and "90210" brings their total episode count for that coming season to 24, while "Nikita" and "Supernatural" can get yet another each, getting their total to 23. Contact Andrew Wallenstein at andrew.wallenstein@variety.com

TCA: Sarah Michelle Gellar To Guest On Departing Soap 'All My Children'

Sarah Michelle Gellar confirmed this morning at TCA while promoting her new CW series Ringer that she'll be going back to the soap opera on which she cut her acting teeth, All My Children, before the canceled ABC soap departs the air. "I called up the casting director and told her I wanted to do something," she said, "that I want to be a part of it." Gellar won't play her original character of Kendall Hart Lang. "I'm not sure what I'll be doing ... and it'll be for one day."

Leonardo DiCaprio Tops Johnny Depp As Highest Paid Actor

FROM MTV MOVIES: They both make the ladies swoon, and they both bring the bang to the box office. But only one can be Forbes' highest-paid leading man. This year that distinction goes to "Inception" star Leonardo DiCaprio, who beats out last year's winner, Johnny Depp. According to Forbes.com, "Pirates of the Caribbean" star Depp topped the list in 2010 with $75 million but this year drops to #2, raking in a still-impressive $50 million. DiCaprio, however, was able to break his previous record by making $77 million in 2010 thanks to the success of flicks like "Shutter Island" and "Inception." Both Depp and DiCaprio are sure to keep their profiles high thanks to a slew of upcoming projects on both their dockets. DiCaprio is set to star in "J. Edgar," "The Great Gatsby" and "Django Unchained." Meanwhile, Depp has upcoming films "Dark Shadows" and "21 Jump Street" on his plate. Read the full story at MTV Movies!